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Music Scene: Out now, and coming soon

April 10, 2023 by Cynthia Orlando

Looking for new tunes to get you through these last rainy days of Spring?

Here are some new and upcoming releases to watch for!

Hozier – “Unreal Unearth”

It’s already been four years since Irish singer-songwriter Hozier gave us his stellar, gold-certified “Wasteland Baby.”

He’s finally returned with a new EP, and it packs a punch.

Hozier likes to write music from both a personal, and a political, standpoint. His upcoming “Unreal Unearth” is likely to follow that approach.

Fans already love knockout hit single, “Eat Your Young.” It’s a rich, soulful track about how society and war affect children.

“Through Me (The Flood)” is an ode to enduring life’s challenges. It features Hozier’s top-tier vocals within a soul-stirring spectacular arrangement.

The EP’s three dynamite tracks have fans excited for Hozier’s new album. “Unreal Unearth” is set to release this summer. Bravo, Hozier!

Lana Del Ray – “Did You Know there’s a Tunnel Under Ocean Blvd”

Lana Del Ray’s new “Did You Know there’s a Tunnel Under Ocean Blvd” is sure to garner recognition and accolades this year. Her ninth release, it features somber ballads and original, artful, delicate storytelling.

The sublime album is lengthy but ultimately, cohesive.

Here’s spectacular “Candy Necklace,” spotlighting musician Jon Batiste on piano:

Produced by Jack Antonoff, it’s an extraordinary album, and another feather in the cap of this talented songstress.

Del Ray’s newest entered Billboards charts at number two.

boygenius – “the record”

Phoebe Bridgers, Lucy Dacus and Julien Baker are boygenius. Their debut album “the record” is one for your collection.

Its twelve strong, diverse tracks range from solid alt-rocker “Not Strong Enough” to Lucy Dacus’s reflective “True Blue” and the beautiful A capella album opener, “Without You, Without Them.”

We’ve got “Not Strong Enough” on our playlist. Have a listen:

The coming together of these three talented singer-songwriters bodes well for both them and for the music scene.

The band hits the road soon to promote the new album. They’ll play The Gorge July 29.

Owl City – “Coco Moon”

Adam Young, the mastermind behind Owl City and the 2009 hit single “Fireflies,” just released new album “Coco Moon.”

With its creative, playful and upbeat tracks, “Coco Moon” is quintessential Owl City. Think Jason Mraz, but with a few more bells and whistles, like orchestral touches, lush synths, and songs adorned with the chirping of crickets.

Watch especially for “Kelly Time,” “Sons of Thunder” and “Vitamin Sea.”

Young has recorded songs for several animated films and makes his home in Minnesota. “Fireflies” was certified Diamond in January.

Fruit Bats – “A River Running to Your Heart”

Fruit Bats are an Indie rock band that merit more attention.

The project of ace singer-songwriter Eric D. Johnson, Fruit Bats formed in the late 90’s. They have nine albums with one on the way.

New track “Rushin’ River Valley” is on our playlist. Have a listen:

Johnson’s captivating vocals and intricate layered musical arrangements make his upcoming “A River Running to Your Heart” an album to watch for. It’s set to drop April 14.

You can pre-order it on MergeRecords website.

Taylor Swift – “All of the Girls You Loved Before”

Pop music’s reigning queen Taylor Swift has not only kicked off her ERAS tour, but has also released new song “All of the Girls You Loved Before.”

With its upbeat lyrics, lovely synths and catchy chorus, it’s an instant classic. The ethereal pop ballad was originally written during sessions for her 2019 album, “Lover.”

“All of the Girls” entered Billboard’s charts at No. 12.

~~~

Live local music scene

Guitar virtuoso Sunny War plays The Hult Center May 22.

On tour from Nashville to promote her new album “Anarchist Gospel,” she’s a talented roots musician who has played guitar since she was 13.

Don’t miss her!

That’s a Wrap

Thanks for listening to KRVM and supporting listener-powered radio!

Top album picks for 2022

December 9, 2022 by Cynthia Orlando

This year saw a profusion of superior album releases across all music genres.

Coldplay, The Weekend, Brian Eno, The Black Keys, Beyonce, Sharon Van Etten and Harry Styles had top-notch albums. There were also first-rate recordings from George Ezra, Wilco, Father John Misty, Tate McRae and Adele.

You say there was so much music out there you couldn’t decide what to buy?

Here’s a few of my top picks.

Kurt Vile – “Watch My Moves”

With “Watch My Moves,” the former lead guitarist of rock band The War on Drugs focuses on the here and now.

His dreamy, meandering psych-folk tracks are hard to resist. Recorded in Vile’s new home-based studio, “Moves” conveys a man at peace with life and with himself.

Watch for “Palace of OKV in Reverse,” a complex, gorgeous low-key jam. His free-wheeling “Flyin (like a fast train)” is a perfect answer to life’s pressures. And like much of the album, upbeat “Hey Like a Child” feels like an afternoon walk in the summer sun.

“Mount Airy Hill” might be the album’s centerpiece. It’s impressionistic dream pop with sublime guitar and Vile’s straightforward storytelling.

In short? “Watch My Moves” is Kurt Vile’s best work yet.

Wet Leg – “Wet Leg”

One of this year’s most delightful music highlights came from England’s Wet Leg. Rhian Teasdale and Hester Chambers excel at catchy post punk rock with great hooks and clever lyrics.

Of course if you’ve been paying attention you’ve already heard exceptional “Chaise Lounge.” The catchy tongue-in-cheek hit single was written in a day.

Other not-to-be-missed tracks from the rhythm-guitar duo: playful “Being in Love,” sassy “Angelica” and dance track “Wet Dream.”

Everything here is musically tight, engaging and often humorous. “I don’t want us to ever lose sight of having fun,” says Teasdale. Maybe that’s why NME called the album “an instant classic.”

In short, seeing Wet Leg’s album debut enter U.K. charts at #1 was a thrill.

They’re nominated for several Grammys, including “Best New Artist.”

Here’s wishing them all the best.

Taylor Swift – “Midnights”

Reflection, revenge and midnight confessions are the inspiration for Taylor Swift’s “Midnights,” a concept album. The new release keeps breaking streaming records and is Swift’s fifth to quickly sell more than a million copies.

Musically, “Midnights” is packed with synth and reverb. The album also triumphs with exceptionally choice lyrics, giving fans lots to consume.

Swift is a master at setting the scene, and excels at being an honest, unflinching, articulate storyteller. For instance, the way she recounts a New York City romance on mournful “Maroon.” Listen also for tender, whimsical “Lavender Haze,” intimate “Mastermind” and autobiographical “You’re on Your Own, Kid.”

All 13 tracks were produced by Swift and longtime friend Jack Antonoff.

“Midnights” apex is hit single “Anti-Hero.” The lush electro-pop track explores Swift’s insecurities in ways both commanding and cathartic. “This song is really a guided tour through all the things I tend to hate about myself,” says the artist.

Of the seven bonus tracks, “The Great War” and “Would’ve, Could’ve, Should’ve” are masterworks. One could question the bonus track designation, but let’s not quibble. Both tracks were co-written with Aaron Dessner (The National, Big Red Machine).

It’s a cinch “Midnights” will be Grammy-nominated come 2024.

That’s a ways away, but things look promising.

Beach House – “Once Twice Melody”

Baltimore-based Beach House never fail to satisfy.

With their soft psychedelia and layered shoe gaze, the indie-rock duo specialize in making us feel good.

This year the band went twice the distance with double-CD release “Once Twice Melody.” The 18-song album was released in “chapters.” Primarily recorded in Baltimore’s Apple Orchard Studio, it reached #12 on the Billboard 200.

Opening track “Once Twice Melody” evokes Fleetwood Mac’s early “Future Games” with an arresting, more ethereal vibe.

Is it possible for one song to convey both inspiration and heartbreak? Beach House’s celestial “Superstar” does.

Sample lyrics: “When you were mine / we fell across the sky.” Its sweeping, cinematic vibe resonates like a soundtrack we’ve all lived through.

There’s really no other act delivering the complex, atmospheric arrangements Beach House so consistently crafts. Bravo.

Tears for Fears – “The Tipping Point”

This year music connoisseurs were bowled over by Tears for Fears’ stellar new release, “The Tipping Point.” It’s on our playlist!

It’s the band’s first new album in seventeen years, and Curt Smith and Roland Orzabal are still a powerful songwriting duo. “Tipping Point” is bold, engaging, musically solid, and intimate.

“No Small Thing” is an expansive opening track. It’s also a hint we’re about to embark on a journey. “This song is definitely a journey,” says band member Curt Smith, adding, “albums for us should be a journey.”

The mesmerizing title track was inspired by the death of Orzabal’s wife Caroline in 2017. It’s passionate rock n’ roll that’ll give you goosebumps.

Alt-rock “End of Night” is perfect for ringing in the New Year. And “My Demons” is a commanding rocker with astute commentary about extremist violence.

“The Tipping Point” was seven years in the making. An artistic achievement, it was well worth the wait.

Lizzo – “Special”

It’s rare when a band or artist consistently delivers to their fans just what they want. This year, Lizzo once again gifted to us all the goods we crave via her sensational “Special.”

Lizzo’s music instincts continue to impress. Maybe that’s because she studied classical music and flute while attending University of Houston.

On “Special,” Lizzo soars with the luscious sounds of pop, soul, R&B, hip-hop and disco.

Rolling Stone called the album “a radical political statement.” That’s possible, though topics like friendship, mental health, girl time and body-positivity aren’t exactly radical. “Enjoy being yourself, no matter what others think” is the kind of message everybody needs to hear.

Lizzo’s “2 Be Loved (Am I Ready)” is the emotional boost we all need. “Grrrls” is irresistible. And even if you’re just home alone, “Birthday Girl” will give you a night on-the-town.

To sum up: jubilant “Special” is a fun-loving tonic you’ll want to have on repeat.

Bonnie Raitt – “Just Like That”

What a joy it was to experience Bonnie Raitt’s new “Just Like That” this year. It’s on our playlist!

Raitt’s finely honed blues instincts, trademark vocals and ample helpings of sizzling slide guitar are legendary. That perfect, bluesy way she belts: “Pretty soon the melody, is like a rainstorm tin-roof symphony” is pure Raitt.

What could be better?

As you might expect, the accomplished Raitt, a 12-time Grammy award winner (and Stratocaster fan) is surrounded by exceptional musicians. They include bassist James “Hutch” Hutchinson, drummer Ricky Fataar, and new musicians Glenn Patscha (keyboards) and Kenny Greenberg (guitar).

“Love So Strong” with its punchy Reggae vibe is a perfect pick for Raitt and company to cover. Rock n’ roll standout “Livin’ for the Ones” reminds us to count our post-pandemic blessings.

Don’t miss first-class title track, acoustic “Just Like That.” Based on a true story, the song describes a mother meeting her dead son’s heart recipient for the very first time. Raitt’s vocals are impeccable, and it’ll have you bawling.

To sum up?

The Grammy Lifetime Achievement Award winner has no one to impress, but she keeps dazzling us nonetheless.

Lucius – “Second Nature”

This year American indie pop duo Lucius dropped colorful and creative “Second Nature.”

In the past, Lucius has provided vocals for outstanding acts like Harry Styles, The War on Drugs and singer-songwriter Brandi Carlile. Their new release takes things to another level.

“Second Nature” boasts tasteful arrangements with soaring atmospheric synths. The beautiful opening harmonies on remorseful “24” will stop you in your tracks. And wistful “The Man I’ll Never Find” is an instant classic.

Most definitely lend an ear to electro-pop single “Next to Normal.” It’s a top-tier, catchy dance track with a playfully spooky vibe.

Life’s twists and turns are often hard to negotiate with grace. Keeping “Second Nature” on standby seems like an excellent backup plan.

Noah Kahan – “Stick Season”

Don’t miss American singer-songwriter Noah Kahan’s “Stick Season.”

It’s folk-pop reminiscent of Mumford & Sons and The Lumineers. However, that said, it’s the heart and soul of musician Kahan that makes “Stick Season” a real standout.

This is the third studio release from the Vermont native. It’s an album with a powerful, relatable theme: small town nostalgia, homecoming, and reflection.

In a recent interview, Kahan describes “Stick Season” as the time between “peak foliage and Halloween…a time of transition.”

Kahan knows how to write songs that build momentum. The album’s crisp, passionate title track is perfect testament to that.

He covers a friend’s sobriety in “Orange Juice,” recalls teenage loneliness in “Come Over,” and relays explosive frustration in rockin’ “Homesick.”

It’s a shame this absolute gem of an album didn’t receive any Grammy nominations, possibly because it was released late in the year. Don’t let that stop you from adding it to your collection.

Taylor Swift – “Red, Taylor’s Version”

Swift’s original “Red” sounded amazing to begin with. “Red, Taylor’s Version” (“Red TV”) gives us these tracks again, this time with more sparkle, finesse, and a fuller sound.

Red TV was re-recorded and re-released late last year as part of Swift’s effort to regain control of her master tapes.

Owing to the lush, immaculate production of arena rockers “Holy Ground” “State of Grace” and “Starlight,” Red TV easily surpasses the original. There are subtler differences, too. For instance, when Swift sings “you’re the lucky one” there’s now a mature, wistful wisdom to the vocals.

Around the globe, music reviews for “Red, Taylor’s Version” were consistently glowing. NME and American music magazine “Spin” praised all aspects of the release. The New Zealand Herald called it Swift’s “magnum opus.”

Guests include Phoebe Bridgers on the exquisite “Nothing New,” a guitar-led folk ballad about the fickleness of the music industry. And Snow Patrol’s Gary Lightbody returns with his velvety smooth vocals on top-notch “The Last Time.”

Generously included are nine additional songs Swift wrote during the same time period. By all means don’t miss these spectacular “from the vault” tracks. Top-tier mentions: infectious “Message in a Bottle,” tender “Nothing New” and brilliant power-pop “Forever Winter.”

And of course, there’s now the epic ten-minute version of “All Too Well.”

“All Too Well” is up for a Grammy for Song of the Year – I think she’ll get it.

🎵Closing Notes

Coldplay’s Simulcast

Coldplay’s global live simulcast in October from Buenos Aires was a smash hit.

Even in small town Eugene, Oregon, it got an enthusiastic reception from moviegoers.

A simulcast in a movie theater is not exactly the same as a live concert – but also, absolutely, it’s the next best thing. The sensational setlist included mega hits Higher Power, The Scientist, Paradise, Hymn for the Weekend, Viva la Vida, A Sky Full of Stars and Clocks.

Best of all was the sheer excitement of a simulcast! The sight of 70,000 fans splashed across the screen while Coldplay performed so many heavy hitters was a thrill.

Two thumbs up for what I hope is an emerging music trend.

Let’s hope more artists follow suit.

Keep your eye on Brandi Carlile

Brandi Carlile’s “In These Silent Days” is an absolutely “must-have.”

The album is up for a Grammy, and was included in my Top 10 last year, here.

Live music returned

This year also marked a joyful return to live shows, touring and music festivals.

Fleet Foxes, Bonnie Raitt, Ben Harper, Jesse Colin Young, Lord Huron, Rebelution and so many more played here in the PNW.

And Lizzo’s two sold-out shows at Portland’s Moda Center were phenomenal.

Support our local music venues!

That’s a Wrap

Happy Holidays…and stay safe out there.

Thanks for listening to KRVM and supporting listener-powered radio!

KRVM celebrates 75 years at the McDonald

December 8, 2022 by Cynthia Orlando

KRVM celebrated its 75th Anniversary Saturday night with a bash at Eugene’s McDonald Theatre.

The celebration included two bands – The Sugar Beets and The Strange Tones – performing before a packed house.

The Strange Tones blend a fiery concoction of original blues, rockabilly, surf and vintage R&B. They played a short setlist to kick things off.

Cake, coffee, a KRVM banner for signing, scrapbooks showing the station’s history and milestones, and fun promotional swag were all part of the festivities.

The Sugar Beets, above, had KRVM listeners dancing in the aisles Saturday night!

About The Sugar Beets

The Sugar Beets are an eight-piece band based in Eugene, and are well-known to music lovers in the Pacific Northwest.

Whether playing bluegrass, old-time fiddle music, Motown, swing or pop, the band excels at bringing the house down.

The Sugar Beets originally formed as students in 1990 while attending the University of Oregon. They play mostly all their own music and their setlists are typically quite eclectic.

At Saturday night’s show The Sugar Beets played many fan favorites, including “East Colorado Blues,” “Higher” and “Strangest Little Thing.”

Underwriting Representative Lynn Wiles, L, and KRVM’s Program Director Debi Starr, R, tearing up raffle tickets at the 75th gala!

Station History

The first words ever spoken on FM radio here in the Pacific Northwest were spoken on KRVM. The date: December 6, 1947.

Over the years, KRVM FM’s format has evolved, and the station continues to offer students the opportunity to be involved with the day-to-day operation of a radio station.

KRVM FM serves a loyal audience throughout western Oregon with a wide variety of musical programs. The station is supported by listener members and area businesses who understand the importance of public radio.

Click here for more about the station’s community service work!

That’s a wrap!

Thanks for listening to KRVM and supporting listener-powered radio!

New on the music scene

February 18, 2022 by Cynthia Orlando

What’s new on the music scene?

There’s lots to be excited about, let’s take a look.

Elton John / Dua Lipa – “Cold Heart”

For a rush of smooth-as-silk pop with a hint of nostalgia, give Elton John and Dua Lipa’s “Cold Heart” a spin.

A superb collaboration, it’s built upon Elton John’s songs “Rocketman” and “Sacrifice.”

Vocals by this pair on this dance pop remix are a perfect compliment. Have a listen:

“Cold Heart” comes from Elton John’s recent “The Lockdown Sessions,” which hit the #1 spot in the UK charts.

Comprised of collaborations with a variety of talented artists – including Miley Cyrus and Stevie Wonder – it’s a fantastic assortment of tracks you’ll want to delve into.

Aly & AJ – “Symptom of Your Touch”

American pop duo Aly & AJ are back with “Symptom of Your Touch,” a stellar synth-pop arrangement worthy of acclaim.

Shimmering guitars create a lush vibe, and the crystal-clear vocals by the California-based musicians are compelling.

In 2005, Ally & AJ’s debut studio album was certified gold. And last year, their re-released “Potential Breakup Song” won “Best Comeback song” at the MTV Video Music Awards. “Symptom” comes from their fourth studio album A Touch of the Beat Gets You Up on Your Feet Gets You Out and Then Into the Sun,” released last year.

In short?

It’s a great track from an album filled with excellent musicianship.

Carlos Santana “Joy”

Carlos Santana’s “Joy,” from his new “Blessings and Miracles” release, is pure electric guitar sizzle. It’s a superlative blues arrangement with a fun reggae beat we think you’ll love.

Grammy-winning musician Chris Stapleton, who also produced the track, adds vocals and guitar to the well-crafted song.

Other artists on “Blessings and Miracles” include Chick Corea and Rick Rubin. “Joy” is on our Playlist.

Bastille – “Thelma & Louise”

The always appealing English pop band Bastille have done it again with hit single “Thelma & Louise.” A fun drumbeat, lush synths and a great chorus make it a natural for radio and dance clubs.

Have a listen:

It’s the perfect track to get us thinking about the warm days of summer and escaping to a new, sunny destination. Of course it’s based on the 1991 movie, “Thelma & Louise.”

“I wanted to write a love letter to that film,” says Bastille frontman Dan Smith. Job well done.

“Thelma & Louise” comes from Bastille’s just-released “Give Me the Future” album. It’s their third UK Number One album.

Sharon Van Etten and Angel Olsen – “Like I Used To”

Watch especially for lovely and pensive “Like I Used To.”

Musicians Sharon Van Etten and Angel Olsen admired each other from afar. Fortunately, they decided to meet up. The result? This very special track.

Etherial and sincere, “Like I Used To” is an acoustic Americana ballad filled with heartache and a hint of country.

Like I Used To

Van Etten and Olsen are on to something.

Let’s hope we hear more from them this year!

George Ezra – “Anyone for You”

George Ezra is back on the music scene with jubilant, melodically captivating “Anyone for You.” It’s his first new music since “Staying at Tamara’s” in 2018, and it’s on our playlist.

Catchy lyrics, exuberant keyboards and Ezra’s distinct baritone make for the perfect lift.

Ezra’s new album “Gold Rush Kid” releases June 10th.

We’ll be watching for it!

More music news

Hippo Campus – “Ride or Die”

We’re loving “Ride or Die” from Indie-rockers Hippo Campus. The upbeat track comes from the Minnesota-based band’s newest “LP3” release, and it’s on our playlist.

New Fleet Foxes live album

Robin Pecknold (Fleet Foxes frontman) released live album “A Very Lonely Solstice” in December. From a livestream concert recorded in Brooklyn, it’s a lovely, contemplative collection of mostly solo songs from the band’s body of work. In a more perfect world, the concert would have been televised over the holidays. Maybe next time, but for now, it’s available on iTunes.

The Lumineers – “Where We Are”

“Where We Are” is classic Lumineers, and one for your collection. It’s on our playlist! This indie folk-rock track features bright vocals, a melodic hook and heartfelt harmonies.

“Where We Are” comes from the band’s fourth studio album, “Brightside.”

Eugene’s live music scene is buzzing

This year it seems there are more live shows on the horizon than ever. Here in Eugene, we’re lucky to have an abundance of music venues and live music opportunities.

In April, blues-rocker Curtis Salgado, and Portland’s well-loved Blitzen Trapper, both have concerts scheduled at Sessions Music Hall. The Talbott Brothers perform at Sessions in May.

Keb’ Mo’ and Randy Newman are both scheduled to play The Shedd Institute in May.

The always-entertaining Modest Mouse perform at the Cuthbert Amphitheater in May.

Imaginative and astonishing Lord Huron will even be here. Their show is scheduled for May at The Hult Center.

Legendary blues icon Bonnie Raitt has a show scheduled at the Cuthbert Amphitheater in August, as does southern California’s fabulous reggae band Rebelution.

There are lots more concerts coming, so check listings at your favorite venues. Better yet, sign up for their mailing lists.

That’s a wrap

Thanks for supporting new music, musicians, and the music venues of Eugene.

Please like us on Facebook, and remember to follow us on Twitter. We follow back!

Most of all, thanks for supporting listener-powered radio at KRVM!

A Spectacular Music Year: Ten Albums Not to Miss

December 6, 2021 by Cynthia Orlando

After a relatively quiet 2020, this year a flood of new music hit the market. What rose to the top?

Looking back

Adele dropped beautifully vulnerable, much anticipated “30” last month. Pop star Billie Eilish gave us phenomenal “Happier Than Ever” in June. Ed Sheeran released new ‘=‘ to mostly positive reception.

Leon Bridges dropped lovely, ambient “Gold-Diggers Sound.” Americana newcomer Allison Russell’s “Outside Child” received deservedly wide acclaim. Rhiannon Giddens gave us intimate, wondrous “They’re Calling Me Home,” recorded under quarantine in Ireland.

New to the pop scene was Los Angeles-based Olivia Rodrigo who dropped critically acclaimed “Sour” in May. And Coldplay gave us euphoric concept album “Music of the Spheres” in October. All this, plus numerous EP’s from many quality indie bands and artists.

In short, it was a spectacular year for new music.

Top Ten

Here’s my annual roundup of the year’s best albums.

Arlo Parks “Collapsed in Sunbeams”

London singer-songwriter Arlo Parks made a splash in the music world this year. She won Breakthrough Artist at the 2021 Brit Awards, then took home the prestigious Mercury Prize in September.

Her intimate, touching “Collapsed in Sunbeams” debut released early this year. “Sunbeams” boasts Parks’ lilting vocals with smooth touches of acoustic guitar and synth.

Tracks are crisp, relatable, polished. Dreamy “Green Eyes,” for example, delivers a compelling message about self-acceptance. Comforting “Hope” soars with a catchy melody and spot-on percussion.

When it comes to music, Parks says she always trusts her “gut feelings.” It’s paid off.

Celeste “Not Your Muse”

Celeste Waite is Great Britain’s newest pop icon. Not yet widely known here in the U.S., the American-British singer-songwriter gifted us this year with “Not Your Muse,” her debut.

“Not Your Muse” artfully blends bright pop songs with pensive ballads perfect for Waite’s unique, sultry vocals.

New romance in your life, anyone? Dance track “Tonight Tonight” is an explosion of engaging jazz pop.

And watch for heartfelt, soulful “Ideal Woman.”

“Love is Back” is the shining pop optimism we need right now. “A Kiss” is timeless and transcendent, and sure to be covered by other artists.

Waite received the BRITs’ Rising Star Award last February. “Not Your Muse” is a promising debut from an artist to watch.

Lord Huron “Long Lost”

Indie band Lord Huron released superb “Long Lost,” their fourth studio album, in May.

This time around the band is steadfastly focused on timeless, haunting compositions about love and loss.

Early on comes exquisite alt-country “Mine Forever.” Like the rest of the album, it boasts imaginative vocals, spectacular harmonies and an expansive, cinematic sound. Toe-tapping “Love Me Like You Used To” is perfect folk-rock for heartache. “I Lied,” a duet sung by lead singer Ben Schneider and Allison Ponthier, is gorgeous.

The title track describes a blissful respite into nature. It’s akin to a modern day Roy Orbison rhapsody.

And the atmospheric good vibes just keep coming.

Why this gem of an album didn’t receive a Grammy nomination is a head scratcher. “Long Lost” is on our playlist. Here’s proof that Lord Huron spent their time wisely during last year’s lockdowns.

Jon Batiste “We Are”

“We Are” (on KRVM’s playlist) is Jon Batiste’s fifth studio release.

The album’s engaging, expansive vibe is a perfect anecdote for these trying times. The Colbert Show Music Director – a native of New Orleans – gifts music lovers with thirteen exceptional R&B/Soul tracks (nineteen, if you buy the Deluxe edition).

Batiste graduated from New York City’s prestigious Juilliard music school, and it shows. On the new album we might hear jazz, hip-hop or soul, but no matter the genre, it’s all good.

“I Need You” is pure joy, and a perfect soundtrack for your New Year’s Eve party.

Title track “We Are” boasts the St. Augustine High School Marching 100 marching band, and a gospel choir. It honors, powerfully, the protest marches of last year’s Black Lives Matter protests.

Listen also for exuberant “Freedom,” high-spirited, jazzy “Adulthood,” and “Cry,” with its stellar blues guitar solo.

On moving “SING,” Batiste’s pitch-perfect falsetto, alternately poignant and joyous, is astounding.

Kacey Musgraves “star-crossed”

Here’s an album to soothe us through dark winter days and beyond. Released in September, Kacey Musgrave’s newest explores the incremental deterioration of intimate relationships. “Let me set the scene,” she croons.

“Star-crossed” is a pop album with touches of dance, rock, psychedelic music, even jazz flute. The gorgeous title track – embellished with lush electronic synth beats – is interstellar. The album’s rich sound may derive from the discerning ear of veteran mastering engineer Gregory Calbi.

Hit single “Justified” scores points for its ability to convey the raw, mixed emotions that come with divorce.

“I think that there is always reward in choosing to be the most vulnerable,” Musgraves, a Texas native, said recently. “I have to remind myself that’s one of the strongest things you can do, is to be witness to being vulnerable.”

Nostalgic, playful “Simple Times” tugs at the heartstrings. Who among us hasn’t yearned for times long-gone, or the simpler days that preceded COVID?

With “There is a Light” Musgraves comes full circle. Not to sound too corny, but she’s found the hope that comes from within.

She’s wrapping things up, and closes with finale’ “gracias a la vida.” Sung in Spanish, it’s beautiful, touching, memorable.

The War on Drugs “I Don’t Live Here Anymore”

The War on Drugs are beloved for their unique hypnotic roots-rock sound. Their 2017 “A Deeper Understanding” won them a Grammy the following year for Best Rock Album.

New “I Don’t Live Here Anymore” delivers a dreamy, top-notch collection of heartland rock n’ roll. It’s a hard-driving but intimate collection of tracks bursting with musical textures and lovely nuanced layers of sound.

Lyrical themes are of searching, overcoming challenges, reflection and fatherhood. It was recorded remotely during last year’s lockdown,

Cinematic “Harmonia’s Dream” boasts soaring chords, a rich synth vibe and War on Drugs’ trademark driving beat.

And don’t miss the stunning, guitar-embellished title track. This shimmering rock anthem features backing vocals by New York band Lucius. It’s among the year’s top rock tracks.

Warm and expansive, “I Don’t Live Here Anymore” is a perfect soundtrack for your next road trip.

The Sizzos “She’s Driving Down”

This year’s under-the-radar success story comes from Portland Oregon’s The Sizzos.

Frontman George Zaninovich has 20+ years playing guitar and writing songs for Portland and San Francisco bands. “She’s Driving Down” is his first solo project.

“Driving Down” is a solid collection of diverse, noteworthy alt-rock tracks that merit repeated listens. Zaninovich says the the pandemic and last year’s protests for racial equity influenced the album.

Moods vary, from subdued “Franklin Roller” and bluesy “Glass Bird” to mysterious “Tule Fog.” Collaborators include Kabir Green (vocals) and Joe Dagostino (slide and EBow).

Watch for celebratory “Cut Loose.” About friends, family and Robert Cray, it boasts an expansive vibe, lead guitar sizzle and alluring harmonies.

Sarah Jarosz “Blue Heron Suite”

Highest praise for Sarah Jarosz’s “Blue Heron Suite,” released in May of this year. “Suite” centers on an emotional year for Jarosz, the year her mother was diagnosed with cancer.

The album originates from a 2018 work commissioned by the Massachusetts 2017 FreshGrass Festival. Acoustic instrumentalist Jarosz is joined by Jefferson Hammer (guitar and harmonies) and Jeff Picker (bass).

“I like to think of the song cycle (on Blue Heron Suite) as a quiet acknowledgment of life’s many uncertainties,” says Jarosz. “You never know what will be thrown your way, but you can always work to try to face the highs and the lows with grace and strength.”

Jarosz’s sparse arrangements on “Suite” are meditative and powerful, solidly capturing the subject matter. Reflective “Morning,” for example, weaves together guitar, bass and vocals most exquisitely. Somber bass, finger-picked guitar and Jarosz’s bright vocals convey tension and resolution throughout.

“Blue Heron Suite” was recorded at Reservoir Studios in New York City. This delicate, evocative piece is meant to be listened to start-to-finish.

Brandi Carlile “In These Silent Days”

Brandi Carlile has done it again. The seasoned, charismatic musician really only emerged from the shadows with the 2018 release of “By the Way, I Forgive You.” It earned her a Grammy nomination for Album of the Year, and, much wider exposure.

She released “In These Silent Days” this fall. It’s a hefty collection of tracks that satisfy.

“You and Me on the Rocks” is a lighthearted ode to relationships, boasting punchy harmonies within a Joni Mitchell Blue-inspired arrangement. “Sinners, Saints and Fools” is classic Carlile. It’s a commanding storyline told rock n’ roll style, all the while throwing punches at organized religion.

“Stay Gentle” is like a musical tincture. It’s a good reminder that often songs with the most staying power are the sincere, simple ones.

“This Time Tomorrow” could’ve come straight off Carlile’s first record – simple, honest, heartfelt. Her vocals on heartbreaking “Right on Time” are unparalleled. She performed rock track “Broken Horses” on Saturday Night Live to warm reception.

Based in the Pacific Northwest, Carlile is an artist who has never yet released a weak album. “In These Silent Days” is another for your collection.

Taylor Swift “evermore”

Taylor Swift’s “folklore” took Album of the Year in 2020. She released its sister album “evermore” a scant 5 months later.

The talented, prolific Swift has a way of making creative, complex songwriting look easy. Could “evermore” earn her another Grammy? Let’s take a look.

Like “folklore,” “evermore” finds the artist penning more songs in the singer-songwriter genre. She’s also expanding horizons. Within “evermore”’s first three tracks the artful Swift takes us from finger-picking chamber folk (“willow”) to a sorrowful piano ballad (“champagne problems”) to lush, fast-paced pop (“gold rush”). Musically, you could say “evermore” approximates a book of short stories. But that would be simplifying it, as 3 to 4-minute tracks like “tis the damn season” “cowboy like me” and “no body, no crime” contain enough storytelling material for entire movie scripts.

She’s accompanied on “evermore” (on KRVM’s playlist) by Aaron Dessner (The National), Justin Vernon (Bon Iver) and long-time collaborator Jack Antonoff. But it’s clear it’s Swift at the helm of sonically rich “evermore.”

In addition to a diversity of stories and styles, there’s a depth to these tracks that ensures them longevity and staying power. People will be spinning these tunes for years to come, and that’s something not seen too often in contemporary music.

We might assume “evermore” won’t win Album of the Year because “folklore” just received that title. The Recording Academy has a lot to think about because “evermore” is a pop-folk masterpiece.

More 2021 music picks

Looking for a few more holiday gift ideas? Here’s a few more highlights from the year!

Big Red Machine – “How Long Do You Think It’s Gonna Last”
Japanese Breakfast – “Jubilee”
Fleet Foxes – “Shore” **
Glass Animals – “Dreamland” **
Fruit Bats – “The Pet Parade”
Black Pumas – “Capitol Cuts’

** Included in my 2020 Top 10

That’s a wrap!

What a wonderful, musically-filled year it’s been.

Thanks for listening to KRVM, and supporting listener-powered radio!

New music to soothe and inspire

November 1, 2021 by Cynthia Orlando

There’s so much new music meriting discovery right now it’s hard to keep track. And that’s no exaggeration.

To be sure, with winter just around the corner now is a good time to freshen up your music library.

Here are a few new releases from artists we’ve enjoyed this year.

Manchester Orchestra – “Telepath”

Manchester Orchestra’s “Telepath” is off the Indie folk-rockers “The Million Masks of God” album.

It’s a contemplative love song with a soft-rock vibe. Both introspective and uplifting, you’re sure to love it.

Have a listen:

The band is from Atlanta, GA, and has played many major festivals including Bonnaroo and Lollapalooza.

“Million Masks” was released in April. It debuted at number one on alternative and vinyl charts.

Arlo Parks – “Hurt”

British singer-songwriter Arlo Parks is an artist to watch.

“Hurt” comes from her “Collapsed in Sunbeams” album released early this year.

The rich, soothing track boasts a catchy melody with lovely layered vocals and spot-on percussion. Check it out:

“I wanted to write something that was hopeful and would make people feel less alone, and also feel joyful,” said Parks in an interview earlier this year. We think she’s succeeded.

Arlo Parks won Best New Artist at this year’s Brit Awards.

The War on Drugs – “I Don’t Live Here Anymore”

Don’t miss War on Drug’s stunning and guitar-embellished “I Don’t Live Here Anymore,” from their album by the same name.

This shimmering rock anthem is among the year’s best releases.

The driving, uplifting arrangement has several lyrical references to Bob Dylan. It also features backing vocals by New York band Lucius.

Have a listen:

The band’s fourth studio album, “A Deeper Understanding” (2017), received a Grammy for Best Rock Album.

The new album released just this month.

Brandi Carlile – “Right on Time”

By now it’s likely you’ve heard Brandi Carlile’s new hit single “Right on Time.”

After all, the Washington-based singer-songwriter just performed it on Saturday Night Live.

A powerful ballad about remorse and reconciliation, it features Carlile on piano and guitar. Her phenomenal vocals plus superb bandmates Tim and Phil Hanseroth (bass and guitar) round things out.

It’s a mighty track indeed!

Fans will recall that Carlile received Record of the Year for her song “The Joke,” in 2018.

“Right on Time” is the opening track of her new “In These Silent Days” release.

This, her seventh album, was created during last year’s lockdown. Recently recorded in Nashville, it debuted No. 1 on Billboard’s Americana/Folk Albums chart.

That’s a wrap!

Thanks for supporting listener-powered radio at KRVM!

This year’s music scene is hopping

June 1, 2021 by Cynthia Orlando

2021 has certainly been off to a good start.

The music scene is hopping. February’s Grammy award show was far more engaging than usual. And it was so much fun to see an actual live audience at Billboard’s televised awards show last week.

Best of all?

As COVID restrictions lift, artists are starting to announce summer and fall concert dates.

To help get you ready for new albums and the concert scene, here’s just a few new releases we’re loving.

Crowded House – “To The Island”

If you’re a Crowded House fan you already know the band is from Australia and has won several awards, including International Group of the Year at the BRIT Awards.

Their rollicking new “To the Island” comes from the band’s first new album in a decade. It’s on our playlist!

You’ll love their mellow, psychedelic pop-rock. Have a listen:

As you can see, the music video is equally engaging, depicting band members heading cross-country to a secret island.

Crowded House’s new “Dreamers Are Waiting” album is set to release June 4.

Modest Mouse – “We Are Between”

“We Are Between” comes from the band’s new “The Golden Casket,” expected June 25. Recorded in Portland and Los Angeles, it’s their first new album in six years.

This fun, polished track boasts the Seattle rock band’s signature colorful sound and vibe.

Modest Mouse is touring this summer and plays Lollapalooza in July.

Let’s dance!

Arlo Parks – “Hope”

Don’t miss “Hope,” by talented singer-songwriter Arlo Parks, based in London.

In a recent interview, Parks said the soothing song is about “knowing you’re not the only one on the planet feeling low.”

It’s a great jazzy pop arrangement with an uplifting chorus. Sample lyrics: “We all have scars / I know it’s hard / You’re not alone.”

“Hope” comes from Parks’ exceptional and intimate debut studio album, “Collapsed in Sunbeams.” Don’t miss it!

Ariel Posen – “Heart By Heart”

Also on our playlist these days is Ariel Posen’s new “Heart by Heart.” From Canada, Posen’s been nominated for “Breakout Artist of the Year.”

“Heart by Heart” is a fantastic roots rock arrangement about having someone to rely on. And it’s loaded with ace slide guitar! Check it out:

“Heart By Heart” comes from Posen’s new “Headway” release. He’s an artist to watch!

Lord Huron – “Mine Forever”

Creating the best alt-country of any band right now is Lord Huron via their just-released album “Long Lost.”

New single “Mine Forever” is a haunting and meticulously crafted track sure to be a summer favorite:

Lord Huron play Troutdale’s Edgefield in September.

See you there!

Mat Kearney – “Pontiac”

Singer-songwriter Mat Kearney (that’s just one “t” in Mat), hails from Eugene, but is now based in Nashville!

You’re sure to enjoy his nostalgic new single “Pontiac” from his upcoming “January Flower” release.

It’s rich, uplifting pop at its finest.

Take a listen:

In a recent interview with Substream magazine, Kearney was quoted as saying the new album is about “digging down and finding the innocence that comes with wanting to make music solely for the love and passion of doing it.”

We’ll toast to that, Mat!

That’s a wrap

Thanks for supporting listener-powered radio at KRVM!

New music to tickle your earbuds

April 5, 2021 by Cynthia Orlando

While we patiently wait to find out if our favorite music venues re-open this year, there are, fortunately, plenty of new mood-boosting tracks to help us stay motivated!

Here’s just a few new tempting music releases to tickle your ears.

Fruit Bats – “The Balcony”

“The Balcony” from Chicago’s Fruit Bats is an appealing, upbeat number about patience during isolation.

Frontman Eric Johnson says music was partly inspired by the movie “Cabaret,” the Star Wars cantina scene, and by Steve McQueen’s “Lover’s Rock.”

From the new album “Pet Parade,” top-knotch musicians on this terrific single include Josh Kaufman (Bonny Light Horseman) and Matt Barrick (The Walkman, Fleet Foxes).

Don’t miss it!

Imelda May – “Just One Kiss”

Irish singer-songwriter and multi-instrumentalist Imelda May pulls out all the stops on this flirty, rollicking new track. From her upcoming “11 Past the Hour” release, “Just One Kiss” is a spunky dance track with attitude.

How could it not be?

The newest from this uniquely talented artist boasts stellar musicians Noel Gallagher and Ronnie Wood.

Black Pumas – “Strangers”

Black Pumas new “Strangers” is that rare track that sounds familiar and brand-new all at once.

Originally by The Kinks, soulful “Strangers” gets new life from the Grammy-nominated duo via strings, piano and organ. And vocal harmonies by this Austin-based psychedelic soul band are rich and heartfelt.

Lastly, “Strangers” is an inspirational track to listen to on a road trip – this writer can attest to that!

The Staves – “Good Woman”

The Staves are an established indie folk trio who’ve performed at Glastonbury and toured with Bon Iver. The title track from their newest album is as good a place to start as any in getting to know this outstanding band.

Warm harmonies, enthralling musical textures and a great arrangement make “Good Woman” an excellent track to add to your current playlist.

“Good Woman” is an appealing, ethereal rock arrangement with lovely layered vocals sure to pull you in.

Flock of Dimes – “Two”

This is an ace track for all who gravitate towards warm, progressive synth pop. Lilting vocals and a splendid arrangement comprise a sweet, soothing treat for the ears.

Flock of Dimes is the fine solo project of Jennifer Lynn Wagner, a founding member of outstanding indie rock band Wye Oak.

Thanks for listening

That’s a wrap.

Thanks for listening to KRVM, and supporting listener-powered radio!

A prolific year for music

December 9, 2020 by Cynthia Orlando

2020 dished out more disappointment and misfortune than any year we’ve ever experienced or witnessed.

But hey, instead of taking stock of its countless calamities, let’s give thanks for the one good thing it gave us: a great music scene. Every month, there were at least half a dozen new albums to give thanks for.

Here are ten first-rate albums that got us through 2020 and are sure to keep us humming well into the New Year.

Tame Impala – “The Slow Rush”

This year Tame Impala, aka creative genius Kevin Parker, dazzled music critics and wowed fans.

“The Slow Rush,” released in February, held up well over the course of the year, never losing its allure. Parker’s keen ear for diverse sonic accents and his unique blend of psychedelic pop is second-to-none. Instrumentation by Parker, a creative perfectionist, was bold and euphoric. The album also gets high marks for its rich, soothing vibe, dreamy vocals, and lovely synth textures.

Brilliant tracks like “Borderline” “Lost in Yesterday” and “Is it True” put “Slow Rush” on the fast track for long-term acclaim.

Sarah Jarosz – “World on the Ground”

Three-time Grammy winner Sarah Jarosz was once described as “a songwriter of uncommon wisdom” by the Austin Chronicle. It’s still a fitting description. In the midst of a frantic year, the bluegrass prodigy gifted us with soothing musical balm via ten tracks of her perfectly honed Americana.

“World on the Ground” is Jarosz’s fifth studio album. It imparts a compelling, grounded beauty enhanced by her graceful touches. Beautifully arranged, rock-tinged “Johnny” is on KRVM’s playlist.

From lovely and melodious “Eve” to poignant “Hometown,” “World on the Ground” triumphs.

Fleet Foxes – “Shore”

Much to the delight of fans, Seattle’s favorite Indie-folk rockers dropped “Shore” in September. A musically venturesome album, among its fifteen tracks are the eloquent “Sunblind” and riveting “Wading in Waist-High Water.”

Powerfully evocative “Featherweight” is stunning. Fans also love the melodic, sonically rich “Can I Believe You,” currently on KRVM’s playlist.

Talented frontman and lead singer Robin Pecknold wrote these songs as a way of coping with the year of COVID, and helping others cope, too. The gorgeous, comforting vibe of “Shore” will endure long after the pandemic has ended.

John Legend “Bigger Love”

In mid-May, gifted superstar John Legend released “Bigger Love.” It was an expansive album for Legend, who called it his “sexiest album to date,“ and a big hit with fans. Brimming with inspirational R&B tracks and romantic ballads, “Bigger Love” elevates, inspires, soothes.

Legend also stated he hoped the album would bring joy, and be uplifting in light of the George Floyd protests that took place during the album’s release.

He performed powerful piano ballad “Never Break” at this year’s Billboard Music awards, and dedicated it to his wife Chrissy Teigen. Its heartfelt vocals seem ready-made for a movie soundtrack.

Fabulous title track “Bigger Love” is soulful pop with Afro-Caribbean rhythms. Watch also for Legend’s rock ’n roll flavored “Wild,” featuring Gary Clark Jr.’s sizzling guitar solo.

Taylor Swift – “Folklore”

In a year as challenging and disappointing as 2020, one might expect music fans to reach for uplifting pop or raucous rock. But sometimes, an album built around loss, memories, storytelling, and reflection soothes best.

This partly explains the stunning success of “Folklore,” where Taylor Swift downshifted from pop to an alt-indie singer-songwriter vibe. In isolation, Swift worked remotely with The National’s Aaron Dessner. In four months and without any publicity, she created an album that spent 8 weeks at number one, and moved more units than any other in 2020.

Especially popular: mournful duo “exile,” nostalgic “seven,” exuberant “Last Great American Dynasty” and golden “August.” In a category all its own was the gut-wrenching “epiphany,” which drew parallels between wartime heroes and doctors and nurses on the COVID frontlines.

“Folklore” is my pick for Album of the Year.

Bob Dylan – “Rough and Rowdy Ways”

Bob Dylan’s “Rough and Rowdy Ways” covered it all: pop culture, mythology, mortality, and passing the point of no return. In other words, plenty to ponder in a year of lockdown.

There’s the 17-minute “Murder Most Foul” (song title from Hamlet), a stunning reflection on the assassination of John F. Kennedy. The sheer beauty of “I Contain Multitudes” is timeless. Bluesy “Goodbye Jimmy Reed” imparts a party-on, Rainy Day Women swagger. You’ll want to blast the volume for Dylan’s 7-minute, swashbuckling “I Crossed the Rubicon.”

A veritable treasure trove, “Rough and Rowdy Ways” is quintessential Dylan, and an instant classic.

The Big Moon – “Walking Like We Do”

London Indie-Rockers The Big Moon scored mightily with this year’s “Walking Like We Do.” From the lush opening chords of “It’s Easy Then” to its humorous closing track, the new album never fell short.

“Walking” affirms The Big Moon’s keen instinct for lovely melodies that righteously rock. Album highlights: “Why” is effervescent pop, while danceable “Your Light” and deliciously thunderous “Holy Roller” are destined for concert halls. “Don’t Think” delivers a dark, edgy vibe via ace bass guitar and compelling vocals. Upbeat “Waves” gleefully narrates the end of a romance. Vocals by lead singer Juliette Jackson are exceptional throughout.

The Big Moon could easily bring down the roof at any of Eugene’s music venues. Here’s hoping, someday, they do.

Fiona Apple – “Fetch the Bolt Cutters”

Fiona Apple released gobsmacking “Fetch the Bolt Cutters” to widespread commendation in April.

It was her first release in 8 Years, and was worth the wait.

Exploring themes of sisterhood, resilience, and freedom, “Bolt Cutters” was recorded at Apple’s Venice Beach home. Here, she and a small backing band – David Garza on guitar, Sebastian Steinberg, bass, and Amy Aileen Wood, drums – sound amazing, intimate and vibrant.

On tracks like “Relay,” songwriting is in a league all its own. Sample lyrics: “Evil is a relay sport / When the one who’s burnt / Turns to pass the torch.”

Further underscoring her artistry are emphatic “Under the Table,” sparkling “Shameika,” the lovely, liberating title track, and explosive “On I Go.” As much about self-disclosure as it is about self-respect, “Fetch the Bolt Cutters” is well-deserving of the widespread acclaim it generated this year. Apple’s compelling use of percussion imparts a cathartic vibe to every track.

Blitzen Trapper – “Holy Smokes, Future Jokes”

Blitzen Trapper’s “Holy Smokes, Future Jokes” bestowed 2020 with ten perfect tracks characterized by mystical themes, complex arrangements, and rich harmonies.

Multilayered folk-rock compositions like dreamy “Baptismal” were largely inspired by the book “Tibetan Book of the Dead.” Lead singer Eric Earley’s vocals are smooth, sincere, and engaging throughout. The pensive “Think Magically,” mysterious “Bardo’s Light,” and charming “Don’t Let Me Run” – now on KRVM’s playlist – were the perfect antidote for a frantic year.

Simply put, one of Portland’s best-loved bands delivered a “must-have.” Long may they reign.

Glass Animals – “Dreamland”

The newest release from England’s Glass Animals made a hefty splash in the world of music.

The band’s innovative psych-pop tracks boasted touches of synth and electronica, making for perfect radio airplay. Fans rhapsodized about the album’s shimmering, sunshine-y vibe.

On “Dreamland,” the band explores personal memories via multi-textured arrangements, hypnotic riffs, and thought-provoking lyrics. Music is embellished with sound snippets of old home movies, adding a nostalgic touch. Songs “Hot Sugar” and “Heat Waves” are dreamy and catchy. “Your Love (De’ja’ Vu)” and “Dreamland” are superb.

To sum up: over the course of a high anxiety, high stakes year, “Dreamland” offered a much-needed escape.

But wait – there’s more.

This year there were so many notable releases worth your time and wallet, we dare not stop here.

For those who appreciate a longer list, here are fifteen additional indie, rock, Americana, pop, and R&B albums you just might love!

The Strokes – “The New Abnormal”

Niall Horan – “Heartbreak Weather”

Andy Shauf – “Neon Skyline”

Bruce Springsteen – “Letter to You”

Lucinda Williams – “Good Souls Better Angels”

Doves – “The Universal Want”

Tennis – “Swimmer”

Waxahatchee – “Saint Cloud”

The Beths – “Jumprope Gazers”

Alicia Keys – “Alicia”

Bonny Light Horsemen – “Bonny Light Horsemen”

The Killers – “Imploding the Mirage”

Laura Veirs – “My Echo”

Watkins Family Hour – “Brother Sister”

Bombay Bicycle Club – “Everything Else Has Gone Wrong”

That’s a wrap!

It’s been a long year, music lovers, but we made it.

Thanks for listening to KRVM, and supporting listener-powered radio.

What’s new in music? Here’s four for your collection.

November 5, 2020 by Cynthia Orlando

Are you a music fan seeking new tunes to help you coast through to the end of 2020? Here’s a few recommendations you’re bound to love.

Tom Petty – “Wildflowers & All the Rest”

The new 5-disc release includes a remastered version of Petty’s original (1994) “Wildflowers” album. Also incorporated is the 10-song second disc Petty wanted to include the first time ‘round (music execs had other ideas).

Unreleased songs – plus – live album tracks from over the years, are also included. New, previously unreleased tracks like “Confusion Wheel” and “Something Could Happen” are both quintessential Petty. Live tracks from the peak of his career include “You Wreck Me” and “It’s Good to Be King.”

“It was the last project that he was working on and we know for a fact that he really wanted it to be out,” says Petty’s daughter Adria in a recent interview with USA Today. “It’s been really a treasure hunt for us.”

Be on the lookout for tracks “Something Could Happen” and “Leave Virginia Alone” – “Virginia” is on KRVM’s playlist.

Summing it up, “Wildflowers & All the Rest” is a generous retrospective collection sure to lift hearts up for years to come.

Laura Veirs – “My Echo”

Don’t miss exceptional “My Echo” from Portland’s Laura Veirs.

This is the eleventh full studio release by the gifted singer-songwriter. “My Echo” is filled with gorgeous, insightful folk pop. On the label Bella Union, it’s being well-received by both critics and fans.

The bright, catchy “Turquoise Walls” sees Veirs processing the end of her marriage to music producer Tucker Martine; much to her credit, the music never becomes moody, or overly morose.

Her remarkable “Brick Layer” is tender and pensive. Spritely, retrospective “Memaloose Island” is a celebration of life. Lastly, you’re bound to love colorful “Burn too Bright” – currently on KRVM’s playlist.

“My Echo” is firm confirmation of Veirs’ continued artistic abilities and her standing as one of Portland’s brightest stars.

Fleet Foxes – “Shore”

By now you’ve surely heard the many acclamations about Fleet Foxes stunning new release. The Seattle-based Indie-folk rockers dropped “Shore” in September to coincide with the autumnal equinox.

Musically venturesome “Shore” boasts fifteen appealing tracks including uplifting “Sunblind,” which pays homage to some of the band’s songwriting heroes. Fans are also loving melodic, sonically rich hit single “Can I Believe You.”

Beautiful, thoughtful and evocative “Featherweight” is another album standout. Lead singer Pecknold wrote these songs as a way of coping with the pandemic, and helping others to cope, too.

The gorgeous, comforting vibe of “Shore” will endure long after the pandemic is over, and may well earn the band a grammy nomination.

Blitzen Trapper – “Holy Smokes, Future Jokes’

Rich harmonies and complex melodies abound on this new album from one of Portland’s favorite bands. The new songs often bring another great Northwest band – The Shins – to mind. Hopefully, Blitzen Trapper won’t mind the comparison because this album is not-to-be-missed.

There isn’t a poorly written song or lackluster arrangement to be found anywhere on “Holy Smokes.” The album’s multilayered, multi-textured folk-rock compositions – like dreamy “Baptismal” – are elevating and lovely.

Especially noteworthy? The album title track, “Masonic Temple Microdose #1,” and “Hazy Morning.” Vocals from the band’s lead singer Eric Earley are sincere, engaging and smooth throughout.

The band’s mystical “Bardo’s Light,” pensive “Think Magically,” and lovely “Don’t Let Me Run” are all musical balm for a frantic year. “Don’t Let Me Run” is now on KRVM’s playlist.

Simply put, this new unique release from Portland-based Blitzen Trapper is a “must-have.”

That’s a wrap!

It’s been a long year, music lovers.

Thanks for listening to KRVM and supporting listener-powered radio!