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Summer or fall, Eugene’s live music scene stays lit

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For a city the size of Eugene, we sure seem to enjoy a generous helping of live music every year!

A host of great bands and artists have already graced our local stages in 2023.

Among them:

In May, superb roots artist Sunny War played The Hult Center. Her unique acoustic finger style technique draws from Delta Blues, and she’s highly praised by music critics.

Rising star Sunny War, above, kept The Hult Center crowd enthralled

Her musicianship kept The Hult Center crowd enthralled. Following the show, happy fans purchased vinyl copies of her new “Anarchist Gospel” release.

In early July, an abundance of top notch musicians performed at the Oregon Country Fair.  Ashleigh Flynn & the Riveters played Blue Moon Stage. The Shook Twins performed an ace setlist at Main Stage; an atmospheric summer sunset made it all the more glorious.

Also in July, acoustic guitarist and two-time Grammy Award nominee Leo Kottke played Eugene’s Shedd Institute. The Shedd is known for hosting some excellent concert series with a focus on American music.

Kottke’s ace fingerpicking style draws from blues, jazz and folk. His talent, easygoing personality and dry humor make his shows a delight.

The Cuthbert: Nonstop summer fun

The Cuthbert Ampitheatre was the place to be this summer. Photo by Cynthia Orlando

For nonstop summer fun, Eugene’s Cuthbert Amphitheater has been the place to be.

Tex-Mex greats Los Lobos and blues virtuoso Taj Mahal rocked the venue in late June. It was a beautiful evening, the place was packed, and fans hung on every note.

Popular pop-rock band Train performed there in July. The 2-time Grammy winners delighted fans, including hit singles like “Drops of Jupiter” and “Meet Virginia” in their setlist.

Cake also played The Cuthbert on a picture perfect summer evening in July. They charmed the crowd, both with their setlist and lead singer John McCrea’s humor.

Upcoming

What shows are coming up?

Reggae-rockers Rebelution are bringing their Good Vibes Summer tour to The Cuthbert August 25, and genre-hopping Pink Martini perform there the next night.

Highly acclaimed American rockers The GooGoo Dolls are playing The Cuthbert Sept 12. It’s sure to be a great show!

At the McDonald Theater this fall, watch for the Celebrating David Bowie show October 12.

But wait, there’s more! Extraordinary singer, songwriter and guitarist Keller Williams graces the stage at The Wow Hall that very same night.

🎵Outside Eugene

A little further out of town, The Revivalists and Band of Horses are set to take the stage Sept 2 at the Edgefield in Troutdale. Modest Mouse performs there Sept 13.

These local music highlights are definitely not all-inclusive, so be sure and check the website(s) of your local venues for more local live music prospects.

That’s a wrap!

KRVM is a listener-supported public radio station licensed to Eugene School District 4J. From our very beginnings, KRVM has worked to enrich the quality of life – and enhance the variety of music – in our community.

Please make a donation here!

Thanks for listening to KRVM and supporting listener-powered radio!

Top album picks for 2022

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This year saw a profusion of superior album releases across all music genres.

Coldplay, The Weekend, Brian Eno, The Black Keys, Beyonce, Sharon Van Etten and Harry Styles had top-notch albums. There were also first-rate recordings from George Ezra, Wilco, Father John Misty, Tate McRae and Adele.

You say there was so much music out there you couldn’t decide what to buy?

Here’s a few of my top picks.

Kurt Vile – “Watch My Moves”

With “Watch My Moves,” the former lead guitarist of rock band The War on Drugs focuses on the here and now.

His dreamy, meandering psych-folk tracks are hard to resist. Recorded in Vile’s new home-based studio, “Moves” conveys a man at peace with life and with himself.

Watch for “Palace of OKV in Reverse,” a complex, gorgeous low-key jam. His free-wheeling “Flyin (like a fast train)” is a perfect answer to life’s pressures. And like much of the album, upbeat “Hey Like a Child” feels like an afternoon walk in the summer sun.

“Mount Airy Hill” might be the album’s centerpiece. It’s impressionistic dream pop with sublime guitar and Vile’s straightforward storytelling.

In short? “Watch My Moves” is Kurt Vile’s best work yet.

Wet Leg – “Wet Leg”

One of this year’s most delightful music highlights came from England’s Wet Leg. Rhian Teasdale and Hester Chambers excel at catchy post punk rock with great hooks and clever lyrics.

Of course if you’ve been paying attention you’ve already heard exceptional “Chaise Lounge.” The catchy tongue-in-cheek hit single was written in a day.

Other not-to-be-missed tracks from the rhythm-guitar duo: playful “Being in Love,” sassy “Angelica” and dance track “Wet Dream.”

Everything here is musically tight, engaging and often humorous.  “I don’t want us to ever lose sight of having fun,” says Teasdale. Maybe that’s why NME called the album “an instant classic.”

In short, seeing Wet Leg’s album debut enter U.K. charts at #1 was a thrill.

They’re nominated for several Grammys, including “Best New Artist.”

Here’s wishing them all the best.

Taylor Swift – “Midnights”

Reflection, revenge and midnight confessions are the inspiration for Taylor Swift’s “Midnights,” a concept album. The new release keeps breaking streaming records and is Swift’s fifth to quickly sell more than a million copies.

Musically, “Midnights” is packed with synth and reverb. The album also triumphs with exceptionally choice lyrics, giving fans lots to consume.

Swift is a master at setting the scene, and excels at being an honest, unflinching, articulate storyteller. For instance, the way she recounts a New York City romance on mournful “Maroon.” Listen also for tender, whimsical “Lavender Haze,” intimate “Mastermind” and autobiographical “You’re on Your Own, Kid.”

All 13 tracks were produced by Swift and longtime friend Jack Antonoff.

“Midnights” apex is hit single “Anti-Hero.” The lush electro-pop track explores Swift’s insecurities in ways both commanding and cathartic. “This song is really a guided tour through all the things I tend to hate about myself,” says the artist.

Of the seven bonus tracks, “The Great War” and “Would’ve, Could’ve, Should’ve” are masterworks. One could question the bonus track designation, but let’s not quibble. Both tracks were co-written with Aaron Dessner (The National, Big Red Machine).

It’s a cinch “Midnights” will be Grammy-nominated come 2024.

That’s a ways away, but things look promising.

Beach House – “Once Twice Melody”

Baltimore-based Beach House never fail to satisfy.

With their soft psychedelia and layered shoe gaze, the indie-rock duo specialize in making us feel good.

This year the band went twice the distance with double-CD release “Once Twice Melody.” The 18-song album was released in “chapters.” Primarily recorded in Baltimore’s Apple Orchard Studio, it reached #12 on the Billboard 200.

Opening track “Once Twice Melody” evokes Fleetwood Mac’s early “Future Games” with an arresting, more ethereal vibe.

Is it possible for one song to convey both inspiration and heartbreak? Beach House’s celestial “Superstar” does.

Sample lyrics: “When you were mine / we fell across the sky.” Its sweeping, cinematic vibe resonates like a soundtrack we’ve all lived through. 

There’s really no other act delivering the complex, atmospheric arrangements Beach House so consistently crafts. Bravo.

Tears for Fears – “The Tipping Point”

This year music connoisseurs were bowled over by Tears for Fears’ stellar new release, “The Tipping Point.” It’s on our playlist!

It’s the band’s first new album in seventeen years, and Curt Smith and Roland Orzabal are still a powerful songwriting duo. “Tipping Point” is bold, engaging, musically solid, and intimate.  

“No Small Thing” is an expansive opening track. It’s also a hint we’re about to embark on a journey. “This song is definitely a journey,” says band member Curt Smith, adding, “albums for us should be a journey.”

The mesmerizing title track was inspired by the death of Orzabal’s wife Caroline in 2017. It’s passionate rock n’ roll that’ll give you goosebumps.

Alt-rock “End of Night” is perfect for ringing in the New Year. And “My Demons” is a commanding rocker with astute commentary about extremist violence.

“The Tipping Point” was seven years in the making. An artistic achievement, it was well worth the wait.

Lizzo – “Special”

It’s rare when a band or artist consistently delivers to their fans just what they want. This year, Lizzo once again gifted to us all the goods we crave via her sensational “Special.”

Lizzo’s music instincts continue to impress. Maybe that’s because she studied classical music and flute while attending University of Houston.

On “Special,” Lizzo soars with the luscious sounds of pop, soul, R&B, hip-hop and disco.

Rolling Stone called the album “a radical political statement.” That’s possible, though topics like friendship, mental health, girl time and body-positivity aren’t exactly radical. “Enjoy being yourself, no matter what others think” is the kind of message everybody needs to hear.

Lizzo’s “2 Be Loved (Am I Ready)” is the emotional boost we all need. “Grrrls” is irresistible. And even if you’re just home alone, “Birthday Girl” will give you a night on-the-town.

To sum up: jubilant “Special” is a fun-loving tonic you’ll want to have on repeat.

Bonnie Raitt – “Just Like That”

What a joy it was to experience Bonnie Raitt’s new “Just Like That” this year. It’s on our playlist!

Raitt’s finely honed blues instincts, trademark vocals and ample helpings of sizzling slide guitar are legendary. That perfect, bluesy way she belts: “Pretty soon the melody, is like a rainstorm tin-roof symphony” is pure Raitt.

What could be better?

As you might expect, the accomplished Raitt, a 12-time Grammy award winner (and Stratocaster fan) is surrounded by exceptional musicians. They include bassist James “Hutch” Hutchinson, drummer Ricky Fataar, and new musicians Glenn Patscha (keyboards) and Kenny Greenberg (guitar).

“Love So Strong” with its punchy Reggae vibe is a perfect pick for Raitt and company to cover. Rock n’ roll standout “Livin’ for the Ones” reminds us to count our post-pandemic blessings.

Don’t miss first-class title track, acoustic “Just Like That.” Based on a true story, the song describes a mother meeting her dead son’s heart recipient for the very first time. Raitt’s vocals are impeccable, and it’ll have you bawling.

To sum up?

The Grammy Lifetime Achievement Award winner has no one to impress, but she keeps dazzling us nonetheless.

Lucius – “Second Nature”

This year American indie pop duo Lucius dropped colorful and creative “Second Nature.”

In the past, Lucius has provided vocals for outstanding acts like Harry Styles, The War on Drugs and singer-songwriter Brandi Carlile. Their new release takes things to another level.

“Second Nature” boasts tasteful arrangements with soaring atmospheric synths. The beautiful opening harmonies on remorseful “24” will stop you in your tracks. And wistful “The Man I’ll Never Find” is an instant classic.

Most definitely lend an ear to electro-pop single “Next to Normal.” It’s a top-tier, catchy dance track with a playfully spooky vibe.

Life’s twists and turns are often hard to negotiate with grace. Keeping “Second Nature” on standby seems like an excellent backup plan.

Noah Kahan – “Stick Season”

Don’t miss American singer-songwriter Noah Kahan’s “Stick Season.”

It’s folk-pop reminiscent of Mumford & Sons and The Lumineers. However, that said, it’s the heart and soul of musician Kahan that makes “Stick Season” a real standout.

This is the third studio release from the Vermont native. It’s an album with a powerful, relatable theme: small town nostalgia, homecoming, and reflection.

In a recent interview, Kahan describes “Stick Season” as the time between “peak foliage and Halloween…a time of transition.”

Kahan knows how to write songs that build momentum. The album’s crisp, passionate title track is perfect testament to that.

He covers a friend’s sobriety in “Orange Juice,” recalls teenage loneliness in “Come Over,” and relays explosive frustration in rockin’ “Homesick.”

It’s a shame this absolute gem of an album didn’t receive any Grammy nominations, possibly because it was released late in the year. Don’t let that stop you from adding it to your collection.

Taylor Swift – “Red, Taylor’s Version”

Swift’s original “Red” sounded amazing to begin with. “Red, Taylor’s Version” (“Red TV”) gives us these tracks again, this time with more sparkle, finesse, and a fuller sound.

Red TV was re-recorded and re-released late last year as part of Swift’s effort to regain control of her master tapes.

Owing to the lush, immaculate production of arena rockers “Holy Ground” “State of Grace” and “Starlight,” Red TV easily surpasses the original. There are subtler differences, too. For instance, when Swift sings “you’re the lucky one” there’s now a mature, wistful wisdom to the vocals.

Around the globe, music reviews for “Red, Taylor’s Version” were consistently glowing. NME and American music magazine “Spin” praised all aspects of the release.  The New Zealand Herald called it Swift’s “magnum opus.”

Guests include Phoebe Bridgers on the exquisite “Nothing New,” a guitar-led folk ballad about the fickleness of the music industry. And Snow Patrol’s Gary Lightbody returns with his velvety smooth vocals on top-notch “The Last Time.”

Generously included are nine additional songs Swift wrote during the same time period. By all means don’t miss these spectacular “from the vault” tracks. Top-tier mentions: infectious “Message in a Bottle,” tender “Nothing New” and brilliant power-pop “Forever Winter.”

And of course, there’s now the epic ten-minute version of “All Too Well.”

“All Too Well” is up for a Grammy for Song of the Year – I think she’ll get it.

🎵Closing Notes


Coldplay’s Simulcast

Coldplay’s global live simulcast in October from Buenos Aires was a smash hit.

Even in small town Eugene, Oregon, it got an enthusiastic reception from moviegoers.

A simulcast in a movie theater is not exactly the same as a live concert – but also, absolutely, it’s the next best thing. The sensational setlist included mega hits Higher Power, The Scientist, Paradise, Hymn for the Weekend, Viva la Vida, A Sky Full of Stars and Clocks.

Best of all was the sheer excitement of a simulcast! The sight of 70,000 fans splashed across the screen while Coldplay performed so many heavy hitters was a thrill.

Two thumbs up for what I hope is an emerging music trend.

Let’s hope more artists follow suit.


Keep your eye on Brandi Carlile 

Brandi Carlile’s “In These Silent Days” is an absolutely “must-have.”

The album is up for a Grammy, and was included in my Top 10 last year, here.


Live music returned

This year also marked a joyful return to live shows, touring and music festivals.

Fleet Foxes, Bonnie Raitt, Ben Harper, Jesse Colin Young, Lord Huron, Rebelution and so many more played here in the PNW.

And Lizzo’s two sold-out shows at Portland’s Moda Center were phenomenal.

Support our local music venues!


That’s a Wrap

Happy Holidays…and stay safe out there.

Thanks for listening to KRVM and supporting listener-powered radio!

Don’t Miss the Latest From These Northwest Artists

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There’s always something exciting happening when it comes to the Pacific Northwest (PNW) music scene.

Though we might not often stop to appreciate it, many excellent bands and artists hail from, or are now based in, the PNW. Among them: The Shins, Mat Kearney, Ashley Flynn & The Riveters, blues artist Ty Curtis, Sleater-Kinney and many others.

Let’s take a look at what’s happening!

Mat Kearney

Born in Eugene and now based in Nashville, outstanding singer-songwriter Matt Kearney has lots going on.

His recent soft-rock “January Flower” release is getting rave reviews. That’s likely because he’s still sticking with his winning formula: heartfelt disclosure, superior vocals and polished pop arrangements.

He plays Portland’s Schnitzer Concert Hall in May.

Catch his show, and, check out “January Flower.”

It’s one not-to-miss!

Bees in A Bottle

Bees In A Bottle, above, have a new album due out this Fall.

Portland-based indie-rock duo Bees In A Bottle are a top-tier band to keep on your radar.

Don’t let their lovely layered vocals deceive you, as their songs often take on serious subject matter.

They released “Treasures Ugly and Few” last year. Filled with lilting harmonies and well-structured arrangements, exceptional tracks include “Language” and “Follow.”

Commanding rock track “Liar” is another standout. “Treasures Ugly and Few” confirmed their superior standing in PNW’s music scene.

Bees In A Bottle have 3 studio records to their credit, including two albums with Grammy Award-winning producers.

They’re recording their 4th album due out this Fall. It’s a collection of songs told from the perspective of the women closest to the many male musicians who’ve died from suicide or addiction.

“I wanted to give voice to the survivors’ point of view,” says band member and songwriter Christine McAllister. Chad McAllister is the other half of this duo; both are multi-instrumentalists.

Bees in a Bottle have two shows coming up!

They play Roland Winery in Longview Washington April 9, and Portland’s Flying Fish May 14th. 

You can find all their music on Bandcamp. Catch them live if you can!

Eddie Berman

Folk-Americana artist Eddie Berman currently makes his home in Portland. An avid reader, Berman’s work is as much inspired by the books he reads as it is by hikes he takes in Portland’s Forest Park.

Berman’s sometimes mournful, introspective brand of warm folk-rock is worthy of a wider fan base.

His 2017 “Before the Bridge” is filled with great tracks like comforting “Easy Rider” and mournful “Low Down Curse.”

Berman released “Taurus” last year, and it’s on our playlist.

Brandi Carlile

Who’s up for a Grammy, makes her home up north in Washington, recently wrote a book and is currently on tour?

That’d be American singer-songwriter Brandi Carlile.

Now on tour, Carlile has shows scheduled in Nashville, Santa Barbara and Red Rocks.

If you haven’t added her latest “In These Silent Days” release to your library, you might be due for a trip to your favorite record store.

Don’t miss her when she comes to the PNW’s Gorge Ampitheatre in May!

The Muddy Souls 

Eugene’s The Muddy Souls blend bluegrass and folk for a winning sound that’s sure to up the vibe quotient at your next social gathering.

The Muddy Souls’ American roots music is uplifting and expertly executed. Formed in 2018, the 5-member band has been consistently working on new music and booking live shows.

Out this month, watch for “The Raven,” their newest studio album.

Ashleigh Flynn

A native of Kentucky, Ashleigh Flynn has been on the Americana scene since 2008 with the release of her third “American Dream” album.

Equally impressive to her studio albums are her ace live performances.

Brilliantly mixing genres (country, zydeco, rock) and engaging her audience, Flynn and her band The Riveters consistently create charming, heartland rock that brings down the house.

Keep your eye on her Twitter feed or her website for upcoming shows.

Laura Veirs

Let’s hear it for Portland’s Laura Veirs! She’s currently on tour playing numerous venues in the United Kingdom.

Wow! Fantastic fanbase for this PNW musician.

If you’re new to Veirs, check out her last album here.

More music news

American rockers Sleater-Kinney (Olympia, Washington) just released “Path of Wellness.”  It’s getting great write-ups.

PNW-based bands Modest Mouse and The Shins are among those headlining the second annual Just Like Heaven Festival in Los Angeles this May.

American indie-rocker’s The Decemberists’ “Arise from the Bunkers” Tour starts in August.

Blitzen Trapper play Sessions Music Hall in April. photo by Tyler Kohlhoff

Portland’s Blitzen Trapper play a unique brand of indie-folk-rock and are currently touring to promote their “Holy Smokes Future Jokes” release.

They’ve been written up by the likes of Rolling Stone and American Songwriter.

“Holy Smokes Future Jokes” was among my Top 10 when it came out (during the height of the pandemic). It’s great to see the band can finally get out and play some of these superb tracks live.

The northwest treasure that is Blitzen Trapper play Eugene’s Sessions Music Hall Sunday, April 24.

Don’t miss them!

That’s a wrap

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New music to soothe and inspire

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There’s so much new music meriting discovery right now it’s hard to keep track. And that’s no exaggeration.

To be sure, with winter just around the corner now is a good time to freshen up your music library.

Here are a few new releases from artists we’ve enjoyed this year.

Manchester Orchestra – “Telepath”

Manchester Orchestra’s “Telepath” is off the Indie folk-rockers “The Million Masks of God” album.

It’s a contemplative love song with a soft-rock vibe.  Both introspective and uplifting, you’re sure to love it.

Have a listen:

The band is from Atlanta, GA, and has played many major festivals including Bonnaroo and Lollapalooza.

“Million Masks” was released in April. It debuted at number one on alternative and vinyl charts.

Arlo Parks – “Hurt”

British singer-songwriter Arlo Parks is an artist to watch.

“Hurt” comes from her “Collapsed in Sunbeams” album released early this year.

The rich, soothing track boasts a catchy melody with lovely layered vocals and spot-on percussion. Check it out:

“I wanted to write something that was hopeful and would make people feel less alone, and also feel joyful,” said Parks in an interview earlier this year. We think she’s succeeded.

Arlo Parks won Best New Artist at this year’s Brit Awards.

The War on Drugs – “I Don’t Live Here Anymore”

Don’t miss War on Drug’s stunning and guitar-embellished “I Don’t Live Here Anymore,” from their album by the same name.

This shimmering rock anthem is among the year’s best releases.

The driving, uplifting arrangement has several lyrical references to Bob Dylan. It also features backing vocals by New York band Lucius.

Have a listen:

The band’s fourth studio album, “A Deeper Understanding” (2017), received a Grammy for Best Rock Album.

The new album released just this month.

Brandi Carlile – “Right on Time”

By now it’s likely you’ve heard Brandi Carlile’s new hit single “Right on Time.”

After all, the Washington-based singer-songwriter just performed it on Saturday Night Live.

A powerful ballad about remorse and reconciliation, it features Carlile on piano and guitar. Her phenomenal vocals plus superb bandmates Tim and Phil Hanseroth (bass and guitar) round things out.

It’s a mighty track indeed!

Fans will recall that Carlile received Record of the Year for her song “The Joke,” in 2018.

“Right on Time” is the opening track of her new “In These Silent Days” release.

This, her seventh album, was created during last year’s lockdown. Recently recorded in Nashville, it debuted No. 1 on Billboard’s Americana/Folk Albums chart.

That’s a wrap!

Thanks for supporting listener-powered radio at KRVM!

This year’s music scene: new tracks to love.

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In the mood for new tunes to liven up your music library?

You’re in luck!

This year’s music scene offers an abundance of new releases and talent from which to choose. Here’s a few of our favorites.

Big Red Machine – “Phoenix”

American Indie-folk band Big Red Machine (BRM) have a lovely new track, “Phoenix,” out this year. It’s a stunner.

Guitar, lilting piano, a great brass section, Fleet Foxes’ Robin Pecknold on lead vocals plus some beautiful harmonies add up to a breathtaking track. “Phoenix” comes from Big Red Machine’s new “How Long Do You Think It’s Gonna Last” release, due out August 27. 

BRM began as a collaboration between musicians Aaron Dessner (The National) and Justin Vernon (Bon Iver).

“Renegade” is another track we love – it’s on KRVM’s playlist – and “Birch” is another not to miss.

Taylor Swift sings on both tracks. “Renegade” was recorded in Los Angeles the same week Folklore won Album of the Year at the Grammys.

To sum up: BRM’s entire new album is sure to be exceptional.

Allison Russell – “Persephone”

Fans of Rhiannon Giddens are already familiar with singer-songwriter and multi-instrumentalist Allison Russell. Russell, along with Giddens, was a band member of Americana/folk quartet Our Native Daughters.

This year, Russell’s solo debut is garnering high praise from every corner. Indeed, every track on the album is exquisite.

On “Persephone” Russell pays a touching homage to a friend with whom she sought refuge in her teens: “My petals are bruised / but I’m still a flower / Come runnin’ to you / In the violet hour.” It’s a beautiful arrangement with just the right touch of pedal steel.

Have a listen:

Autobiographical “Outside Child” recounts Russell’s sad,  perilous childhood of sexual abuse at the hands of her stepfather. Amazingly – given the subject matter – the album never gets bogged down. “Outside Child” succeeds in drawing us in via its wide array of musical moods, and superb musicianship.

Also praiseworthy are Russell’s perfect vocals and expert songwriting. And, she’s backed up by a host of talented musicians.

“Outside Child” is sure to be on many “best-of-year” lists. 

Heartless Bastards – “How Low”

We’ve been loving “How Low,” the newest from Heartless Bastards.

It’s a bright, lush indie-rock track with a winning melody and message. And the potent vocals by musician Erika Wennerstrom – urging kindness and simple living – are hard to resist.

Heartless Bastards originally started as a recording project of Wennerstrom, who makes her home in Austin. These days Wennerstrom is backed by an ace band that includes guitarist David Pulkingham (Patty Griffin) and Bo Koster (My Morning Jacket) on keyboards.

“How Low” comes from upcoming “A Beautiful Life,” due out in September.

Heartless Bastards play Eugene’s Sessions Music Hall in November.

Be there!

Michael Franti – “Good Day for a Good Day”

Climate change, COVID-19, extreme weather events and the nation’s political divides all add up to one thing: more everyday stress.

Now’s a good time to amp up your good vibe quotient, and Michael Franti’s “Good Day for a Good Day” can do just that.

It’s an upbeat, catchy track boasting fun vocals and great percussion. But then again, political activist Franti has always been good at blending reggae with folk, rock and hip hop.

“Good Day” was released just last month to help the band kick off their world tour. We’re happy it’s on our playlist.

Michael Franti & Spearhead play McMenamins Edgefield Saturday, September 11.

See you there!

That’s a wrap!

Thanks for supporting listener-powered radio at KRVM!

New music to tickle your earbuds

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New Music - April 2021

While we patiently wait to find out if our favorite music venues re-open this year, there are, fortunately, plenty of new mood-boosting tracks to help us stay motivated!

Here’s just a few new tempting music releases to tickle your ears.

Fruit Bats – “The Balcony”

“The Balcony” from Chicago’s Fruit Bats is an appealing, upbeat number about patience during isolation.

Frontman Eric Johnson says music was partly inspired by the movie “Cabaret,” the Star Wars cantina scene, and by Steve McQueen’s “Lover’s Rock.”

From the new album “Pet Parade,” top-knotch musicians on this terrific single include Josh Kaufman (Bonny Light Horseman) and Matt Barrick (The Walkman, Fleet Foxes).

Don’t miss it!

Imelda May – “Just One Kiss”

Irish singer-songwriter and multi-instrumentalist Imelda May pulls out all the stops on this flirty, rollicking new track. From her upcoming “11 Past the Hour” release, “Just One Kiss” is a spunky dance track with attitude.

How could it not be?

The newest from this uniquely talented artist boasts stellar musicians Noel Gallagher and Ronnie Wood.

Black Pumas – “Strangers”

Black Pumas new  “Strangers” is that rare track that sounds familiar and brand-new all at once.

Originally by The Kinks, soulful “Strangers” gets new life from the Grammy-nominated duo via strings, piano and organ. And vocal harmonies by this Austin-based psychedelic soul band are rich and heartfelt.

Lastly, “Strangers” is an inspirational track to listen to on a road trip – this writer can attest to that!

The Staves – “Good Woman”

The Staves are an established indie folk trio who’ve performed at Glastonbury and toured with Bon Iver. The title track from their newest album is as good a place to start as any in getting to know this outstanding band.

Warm harmonies, enthralling musical textures and a great arrangement make “Good Woman” an excellent track to add to your current playlist.

“Good Woman” is an appealing, ethereal rock arrangement with lovely layered vocals sure to pull you in.

Flock of Dimes – “Two”

This is an ace track for all who gravitate towards warm, progressive synth pop. Lilting vocals and a splendid arrangement comprise a sweet, soothing treat for the ears.

Flock of Dimes is the fine solo project of Jennifer Lynn Wagner, a founding member of outstanding indie rock band Wye Oak.

Thanks for listening

That’s a wrap.

Thanks for listening to KRVM, and supporting listener-powered radio!

Lots to love about Oregon’s music scene

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Oregon is renowned for its forests, fisheries, microbreweries, and natural tourist attractions like Mount Hood, Crater Lake and Mount Bachelor.

However, one of our best-kept secrets just might be our talented bands and musicians.

While the likes of Modest Mouse, The Shins and Blind Pilot are well-known in the music world, there are lots of other excellent bands that hail from the Beaver state.

Here are a just few additional Oregon-based bands and artists who merit a listen.

Pete Kartsounes

We’ll start with one of Oregon’s least-known, most talented musicians, Pete Kartsounes.

Based in Bend, Kartsounes is an award-winning singer-songwriter, impressive flat picker and cutting-edge musician’s musician. 

Kartsounes started playing piano “as soon as I was able to climb up on the bench,” and has played guitar since he was seventeen. “I’ve been playing for a living ever since, and playing my music has taken me around the world,” says Kartsounes.

His musical influences include Jerry Garcia, Ray LaMontagne and Carlos Nakai.

He released “Out Here On My Own” last August. Don’t miss standout tracks “Air to Breathe,” and “The River.”   

Looking back at his inspiration for “Air to Breathe,” Kartsounes says: “It had rained recently so the wood was damp. Every time I got a fire going, it would die down and I would have to blow on it…after doing this three or four times, it hit me: ”You can’t have a fire without a little air to breathe.”

While along the spring-fed Fall River, between Sunriver and La Pine, Oregon, Kartsounes wrote “The River,” another great track.

“I wanted to write something that was a tribute to the river. The river really brings you to the moment, and this song came to me in about an hour,” he says, adding, “I will always play this one at my shows, and give tribute to the rivers.” 

Then, just last November, the prolific artist released “Mindful Muse” – 60 minutes of music designed for yoga, meditation, massage and mindful practice. “It’s the first album I’ve ever recorded where I am playing dominantly piano and flute,” he says, adding, “this will most definitely not be my last album in this genre.”

No stranger to life on the road, Kartsounes has played for more than two decades on stages around the world.

Let’s hope he comes to Eugene soon. 

You can find his music on his website , and on iTunes.

The Noted

Ace band The Noted, above, are based in Portland.

Based in Portland are rising stars The Noted.

Founded by songwriter Daniel Work, they released “Lost & Found” last year. The band’s clean sound has a cool, appealing retro vibe. It’s solid pop-rock that encompasses a breadth of musical styles.

“Lost & Found” is very much a “band” record – no studio musicians or outside guests. All songs are inspired by real life events, like “Too Many Trees,” their musically upbeat plea for less gun violence. 

Buoyed by a pervasive sense of optimism, The Noted encourages listeners to “be yourself, don’t care what others think…and sing out loud!”

Mr. Work even built a new recording studio several years back, allowing the band more creative freedom. New tracks currently in progress are “Time, Time to Run,” “A Story,” and “The Lucky Ones,” a rocker about 2020.

Find music from The Noted on their website , on iTunes and on Bandcamp.

Souvenir Driver

Moody bliss-pop Souvenir Driver are another absolutely ace Portland Indie band. 

Like many of the best bands today, Souvenir Driver began as a solo bedroom project. And, while the band can be elusive, their music is well-worth searching out.

Their stunning 2017 “Brace Yourself” – about the band’s reaction to Trump’s election – is outstanding. Mixed by Gregg Williams (Dandy Warhols, Blitzen Trapper), “Brace Yourself” remains an Indie classic, and is a personal favorite.  

The band released their compelling “A Dangerous Crossing” in 2019, and a remix its atmospheric “Haze,” the same year. Remix artist Jonathan Allen is quoted as saying he was listening to The Cure “and thinking of our withdrawal from the Paris Climate Accord” at the time he worked on it.

Equally compelling, don’t miss fabulous “Voices of a Traveler” from their self-titled CD, recorded in a mountain cabin and at Trench Studios.

Great stuff!

You can find music from Souvenir Driver on Bandcamp.

Coordination

Also based in Portland is Coordination. This band is a bit of a mystery, but hey! Sometimes, mysteries are fun.

Coordination was founded by Portland musician Anthony Brisson.

Their new “The Great Adventure,” released last year, is splendid pop-rock. Guest performers and collaborators include: Eddie Bond (synthesizer & piano), Lisa Schonberg (drums, percussion, synth bass), Cam Mazzia (bass guitar), Amenta Abioto (vocals), Zachary Blake Nelson (slide guitar) and Robert Murphy, violin.

Coordination’s new release is atmospheric rock n’ roll. Fans of fresh-sounding shoegaze, lo-fi and synthwave are sure to love tracks like “Conor Stays Up Late”.

You can find music from Anthony Brisson and Coordination on Bandcamp .

The Muddy Souls

Eugene’s Muddy Souls, above, are a fine blend folk, country and bluegrass.

Eugene’s The Muddy Souls are an acoustic blend of folk, bluegrass, and country, and are sure to get you smiling and stomping your feet.

Band members are: Peter Romanelli, guitar and vocals, Grace Honeywell, fiddle and vocals, Mila Butler-Bass, vocals, Jacob Camara, banjo, guitar, vocals, and Austen Slone, mandolin, vocals.

They released their new album “Medicine” just last year. The new album confirms the band’s gift for delivering an upbeat, original sound.

Look for their music on iTunes or on their website.

Parting thoughts

Of course, no story about Oregon’s music scene would be complete without mentioning Portland’s ever-popular Blitzen Trapper.

Their newest “Holy Smokes, Future Jokes” is superb.

And extremely talented songstress Laura Veirs , also based in Portland, released her gorgeous new “My Echo” just last year. It’s a stellar sound that should make any Oregonian proud.

If you have a chance to catch either of these acts live…don’t miss out!

Support local musicians 

That’s a wrap!

Thanks for listening to KRVM, and supporting listener-powered radio!

A prolific year for music

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2020 dished out more disappointment and misfortune than any year we’ve ever experienced or witnessed.

But hey, instead of taking stock of its countless calamities, let’s give thanks for the one good thing it gave us: a great music scene. Every month, there were at least half a dozen new albums to give thanks for.

Here are ten first-rate albums that got us through 2020 and are sure to keep us humming well into the New Year.

Tame Impala – “The Slow Rush”

This year Tame Impala, aka creative genius Kevin Parker, dazzled music critics and wowed fans.

“The Slow Rush,” released in February, held up well over the course of the year, never losing its allure. Parker’s keen ear for diverse sonic accents and his unique blend of psychedelic pop is second-to-none. Instrumentation by Parker, a creative perfectionist, was bold and euphoric. The album also gets high marks for its rich, soothing vibe, dreamy vocals, and lovely synth textures.

Brilliant tracks like “Borderline” “Lost in Yesterday” and “Is it True” put “Slow Rush” on the fast track for long-term acclaim.

Sarah Jarosz – “World on the Ground”

Three-time Grammy winner Sarah Jarosz was once described as “a songwriter of uncommon wisdom” by the Austin Chronicle. It’s still a fitting description. In the midst of a frantic year, the bluegrass prodigy gifted us with soothing musical balm via ten tracks of her perfectly honed Americana.

“World on the Ground” is Jarosz’s fifth studio album. It imparts a compelling, grounded beauty enhanced by her graceful touches. Beautifully arranged, rock-tinged “Johnny” is on KRVM’s playlist.

From lovely and melodious “Eve” to poignant “Hometown,” “World on the Ground” triumphs.

Fleet Foxes – “Shore”

Much to the delight of fans, Seattle’s favorite Indie-folk rockers dropped “Shore” in September. A musically venturesome album, among its fifteen tracks are the eloquent “Sunblind” and riveting “Wading in Waist-High Water.”

Powerfully evocative “Featherweight” is stunning. Fans also love the melodic, sonically rich “Can I Believe You,” currently on KRVM’s playlist.

Talented frontman and lead singer Robin Pecknold wrote these songs as a way of coping with the year of COVID, and helping others cope, too. The gorgeous, comforting vibe of “Shore” will endure long after the pandemic has ended.

John Legend “Bigger Love”

In mid-May, gifted superstar John Legend released “Bigger Love.” It was an expansive album for Legend, who called it his “sexiest album to date,“ and a big hit with fans. Brimming with inspirational R&B tracks and romantic ballads, “Bigger Love” elevates, inspires, soothes.

Legend also stated he hoped the album would bring joy, and be uplifting in light of the George Floyd protests that took place during the album’s release.

He performed powerful piano ballad “Never Break” at this year’s Billboard Music awards, and dedicated it to his wife Chrissy Teigen. Its heartfelt vocals seem ready-made for a movie soundtrack.

Fabulous title track “Bigger Love” is soulful pop with Afro-Caribbean rhythms. Watch also for Legend’s rock ’n roll flavored “Wild,” featuring Gary Clark Jr.’s sizzling guitar solo.

Taylor Swift – “Folklore”

In a year as challenging and disappointing as 2020, one might expect music fans to reach for uplifting pop or raucous rock. But sometimes, an album built around loss, memories, storytelling, and reflection soothes best.

This partly explains the stunning success of “Folklore,” where Taylor Swift downshifted from pop to an alt-indie singer-songwriter vibe. In isolation, Swift worked remotely with The National’s Aaron Dessner. In four months and without any publicity, she created an album that spent 8 weeks at number one, and moved more units than any other in 2020.

Especially popular: mournful duo “exile,” nostalgic “seven,” exuberant “Last Great American Dynasty” and golden “August.” In a category all its own was the gut-wrenching “epiphany,” which drew parallels between wartime heroes and doctors and nurses on the COVID frontlines.

“Folklore” is my pick for Album of the Year.

Bob Dylan – “Rough and Rowdy Ways”

Bob Dylan’s “Rough and Rowdy Ways” covered it all: pop culture, mythology, mortality, and passing the point of no return. In other words, plenty to ponder in a year of lockdown.

There’s the 17-minute “Murder Most Foul” (song title from Hamlet), a stunning reflection on the assassination of John F. Kennedy. The sheer beauty of “I Contain Multitudes” is timeless. Bluesy “Goodbye Jimmy Reed” imparts a party-on, Rainy Day Women swagger. You’ll want to blast the volume for Dylan’s 7-minute, swashbuckling “I Crossed the Rubicon.”

A veritable treasure trove, “Rough and Rowdy Ways” is quintessential Dylan, and an instant classic.

The Big Moon – “Walking Like We Do”

London Indie-Rockers The Big Moon scored mightily with this year’s “Walking Like We Do.” From the lush opening chords of “It’s Easy Then” to its humorous closing track, the new album never fell short.

“Walking” affirms The Big Moon’s keen instinct for lovely melodies that righteously rock. Album highlights: “Why” is effervescent pop, while danceable “Your Light” and deliciously thunderous “Holy Roller” are destined for concert halls. “Don’t Think” delivers a dark, edgy vibe via ace bass guitar and compelling vocals. Upbeat “Waves” gleefully narrates the end of a romance. Vocals by lead singer Juliette Jackson are exceptional throughout.

The Big Moon could easily bring down the roof at any of Eugene’s music venues. Here’s hoping, someday, they do.

Fiona Apple – “Fetch the Bolt Cutters”

Fiona Apple released gobsmacking “Fetch the Bolt Cutters” to widespread commendation in April.

It was her first release in 8 Years, and was worth the wait.

Exploring themes of sisterhood, resilience, and freedom, “Bolt Cutters” was recorded at Apple’s Venice Beach home. Here, she and a small backing band – David Garza on guitar, Sebastian Steinberg, bass, and Amy Aileen Wood, drums – sound amazing, intimate and vibrant.

On tracks like “Relay,” songwriting is in a league all its own. Sample lyrics: “Evil is a relay sport / When the one who’s burnt / Turns to pass the torch.”

Further underscoring her artistry are emphatic “Under the Table,” sparkling “Shameika,” the lovely, liberating title track, and explosive “On I Go.” As much about self-disclosure as it is about self-respect, “Fetch the Bolt Cutters” is well-deserving of the widespread acclaim it generated this year. Apple’s compelling use of percussion imparts a cathartic vibe to every track.

Blitzen Trapper – “Holy Smokes, Future Jokes”

Blitzen Trapper’s “Holy Smokes, Future Jokes” bestowed 2020 with ten perfect tracks characterized by mystical themes, complex arrangements, and rich harmonies.

Multilayered folk-rock compositions like dreamy “Baptismal” were largely inspired by the book “Tibetan Book of the Dead.” Lead singer Eric Earley’s vocals are smooth, sincere, and engaging throughout. The pensive “Think Magically,” mysterious “Bardo’s Light,” and charming “Don’t Let Me Run” – now on KRVM’s playlist – were the perfect antidote for a frantic year.

Simply put, one of Portland’s best-loved bands delivered a “must-have.” Long may they reign.

Glass Animals – “Dreamland”

The newest release from England’s Glass Animals made a hefty splash in the world of music.

The band’s innovative psych-pop tracks boasted touches of synth and electronica, making for perfect radio airplay. Fans rhapsodized about the album’s shimmering, sunshine-y vibe.

On “Dreamland,” the band explores personal memories via multi-textured arrangements, hypnotic riffs, and thought-provoking lyrics. Music is embellished with sound snippets of old home movies, adding a nostalgic touch. Songs “Hot Sugar” and “Heat Waves” are dreamy and catchy. “Your Love (De’ja’ Vu)” and “Dreamland” are superb.

To sum up: over the course of a high anxiety, high stakes year, “Dreamland” offered a much-needed escape.

But wait – there’s more.

This year there were so many notable releases worth your time and wallet, we dare not stop here.

For those who appreciate a longer list, here are fifteen additional indie, rock, Americana, pop, and R&B albums you just might love!

The Strokes – “The New Abnormal”

Niall Horan – “Heartbreak Weather”

Andy Shauf – “Neon Skyline”

Bruce Springsteen – “Letter to You”

Lucinda Williams – “Good Souls Better Angels”

Doves – “The Universal Want”

Tennis – “Swimmer”

Waxahatchee – “Saint Cloud”

The Beths – “Jumprope Gazers”

Alicia Keys – “Alicia”

Bonny Light Horsemen – “Bonny Light Horsemen”

The Killers – “Imploding the Mirage”

Laura Veirs – “My Echo”

Watkins Family Hour – “Brother Sister”

Bombay Bicycle Club – “Everything Else Has Gone Wrong”

That’s a wrap!

It’s been a long year, music lovers, but we made it.

Thanks for listening to KRVM, and supporting listener-powered radio.

The Muddy Souls release new “Medicine” EP

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Looking for new, upbeat tunes to lift you out of the pandemic doldrums?

You’re in luck! “Medicine,” the new EP from Eugene’s The Muddy Souls, just dropped.

Their music – an acoustic blend of folk, bluegrass, and country – is sure to get you smiling and stomping your feet.

Check out “Ramblin Blues”!

We had a chance to visit with The Muddy Souls about “Medicine,” their new release. Here’s what they had to say about the inspiration behind some of the tracks.

KRVM: “How did the band come up with “Medicine,” the title track?

Jacob Camara: “Medicine was a song that was written prior to the COVID-19 pandemic, although its theme is certainly relevant to our current global health crisis.”

“Originally written as a blues song for my solo project, I changed the chords and timing to fit The Muddy Souls bluegrass style and instrumentation. It became one of the first songs that I really felt comfortable playing the 5-string banjo on,” adds Camara.

KRVM: “Calm Before the Storm” is a really fun track with some ace mandolin work! Tell us a little bit about that.”

Austen Slone: “‘Calm Before the Storm’ is a collaboration between my brother and I. I originally wrote the melody to the song on guitar, and my brother wrote the lyrics sometime before 2001.”

Continues Slone, “He died in June 2001, and I have spent some time since moving to Eugene 5 years ago, processing his death as an adult. I visited the lyrics last year for the first time in a while, with the idea to put some music to it. ‘Calm Before the Storm’s’ mandolin work and the overall melody was written to reflect my brother’s dynamics when composing original songs. The mandolin came after the song had been written and composed.”

About The Muddy Souls

The Muddy Souls are: Peter Romanelli, guitar and vocals, Grace Honeywell, fiddle and vocals, Mila Butler-Bass, vocals, Jacob Camara, banjo, guitar, vocals, and Austen Slone, mandolin, vocals.

The band’s acoustic, American roots music is carefree and solidly performed. Band members tell us they took their time traveling a long and winding road to Eugene.

But on that windy road, they’ve covered music by everyone from Django Reinhardt, David Grisman, and Willie Nelson to Radiohead.

The new album confirms the band’s gift for delivering an upbeat and original sound. “Medicine” is sure to please fans spinning tunes, listening to KRVM, or coming to their shows.

KRVM: “Ain’t No Tellin’” has a great, take-it-easy summertime vibe. Is that an original?”

Pete Romanelli: ”Ain’t No Tellin’” is an original. It was a message to a past love about surrendering to the uncertainty of life and trusting in the fact that we are on the right path.”

“I wrote it on a warm summer night sitting on my porch, so that could be where the summertime vibe comes from,” adds Romanelli.

KRVM: “Need to compliment you on the great album artwork! We’d love to know more about it.”

Austen Slone: “Our amazing album artwork was done by local Eugene artist Miriam Valentine. We gave her some basic ideas and themes to work with, and she somehow intuited exactly what we had in mind…we hope to have her design future album covers.”

Support The Muddy Souls and local musicians

Yeah… we’re in a holding pattern with live music and the pandemic, most likely until early next year.

Meanwhile, you can find music by The Muddy Souls on iTunes or on their website.

Now is a great time to support your favorite music venue

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So many music venues, so little time. But with so many clubs struggling to stay afloat right now, what can KRVM’s live music fans do to help?

We couldn’t call each and every music venue in the area, but those we reached have easy requests – apply liberally to any of your favorite watering holes!

How you can help

These days, many places are asking for support via online purchasing of their merchandise and gift cards. That’s a great place to start.

Mac’s Restaurant & Night Club

Popular for great blues acts and fabulous food, Eugene’s iconic Mac’s club is being hit hard. During a normal month of June, Mac’s would be hopping with blues acts and even an occasional outdoor concert on weekends.

Superb blues musician Ty Curtis plays Mac’s. Photo: Cynthia Orlando

The venue hopes to reopen in late summer or early fall, so stay tuned. Meanwhile, be sure to check out their online store for cool ball caps and T-shirts.

The Hult Center

In a normal year more than 700 events and performances take place at Eugene’s Hult Center for the Performing Arts. This year changed all of that.

Like everyone else, The Hult has been forced to cancel and reschedule many artists and shows.

Currently The Hult website shows several events scheduled for October. Among them: percussion artists DRUM TAO and comedian Paula Poundstone. New dates for a number of events – including “RAIN: A tribute to the Beatles,” have yet to be announced.

If you’d like to support The Hult during this economic downturn, please purchase gift certificates from their Home page.

Cuthbert Amphitheater

The Cuthbert Amphitheater is loved for it’s beautiful outdoor site and great acoustics. Situated along the Willamette River at Alton Baker Park, it’s a lovely location for creating music memories.

What do Modest Mouse, Rebelution, Steve Martin and Willie Nelson all have in common? All have performed at the Cuthbert. photo: Cynthia Orlando

Quite a number of shows are still listed on their website, but the venue has posted a “stay tuned” message since things keep changing.

Bands and artists still listed: Currently, the fabulous Rebelution are still listed as performing at the Cuthbert on August 28. With them: Steel Pulse, The Green, Keznamdi and DJ Mackle.

You can subscribe to the Cuthbert’s newsletter for updates and concert announcements.

McDonald Theatre

The McDonald is well-loved for continually pulling up and coming artists into Eugene – sometimes even at the same time these bands and artists are up for Grammys.

Who’s played The McDonald? Just about everyone, including The Shins, Barr Brothers, Fleet Foxes, Blind Pilot, Joywave and Amos Lee!

Beloved American singer-songwriter Amos Lee performing at The McDonald Theatre. photo: Cynthia Orlando

There are still tickets available for several shows in October and November, including singer-songwriter-rapper NLE Choppa and rock band Whiskey Meyers, recently written up in Rolling Stone magazine.

Opening as a movie house in the 1920s, the McDonald Theatre later converted to a concert venue. The building is listed on the National Register of Historic Places.

The WOW Hall

Eugene’s WOW Hall is owned and operated by the Community Center for the Performing Arts, a nonprofit 501(c)3 organization. Committed to providing arts for all ages, the WOW is a popular spot to experience excellent local bands as well as well-renowned artists passing through. The WOW Hall is also used for classes, workshops, lectures, meetings, rehearsals and recording sessions.

Superb Indie Rock band Augustana at The Wow Hall. photo: Cynthia Orlando

A WOW hall representative was kind enough to drop us an email. We’re informed that since no concerts can take place for now, the best way to help is by donating online.

The red donation button on the top of their website runs through PayPal. Please give them a hand if you can!

The WOW hall is planning fundraising events including virtual concerts. And, they are unloading their beverage stock online (next Saturday only).

In short, there are plenty of ways you can help The WOW Hall.

Sessions Music Hall

Located on 7th Avenue in downtown Eugene, you can always count on Sessions Music Hall for a fun night of good food plus music by exciting new bands.

Session’s calendar still shows tickets available for Lost Ox performing with Left on Wilson July 9, and Anders Osborne and Hayes Carll playing July 31.

Whirled Pies

Located on West 8th Avenue, Whirled Pies – Eugene’s happy place – is usually packed with diners and music lovers.

Probably one of the best ways to support Whirled Pies right now is simply to call and order one of their delicious pizzas.

That’s a wrap! Stay tuned to KRVM for the best in music, and we’ll do our best to keep you in-the-know about Eugene’s music scene!

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The broadcast antenna on our main tower in Eugene is undergoing repairs, so KRVM will be operating at lower than usual power for parts of the day Thursday Sept. 28 and Friday Sept. 29.  This could make it difficult to receive our signal in some areas, including Oakridge and the coast. 

Thank you for your patience!