KRVM.org

Listener Supported Public Radio in Eugene Oregon

Keeping Real Variety in Music
Listener Supported Public Radio in Eugene Oregon
KRVM 91.9 FM Eugene | KAVE 88.5 FM Oakridge
KSYD 92.1 FM Reedsport | K211BP 90.1 FM Florence
...
Stream not playing?
  • Home
  • Listen
    • Recently Played
    • Programs
    • Calendar
    • In the Studio
    • Podcasts – Student Broadcast Program
    • Jefferson Public Radio
  • KRVM DJs
  • What’s Happening?
    • Blog
    • Community Events
    • Music Scene
  • Support KRVM
    • Donate to KRVM
    • Legacy Giving
    • Friends of KRVM
      • Donate your car, boat or truck
    • Underwriters
    • Volunteer with KRVM
    • KRVM Local Music CD – Volume II
  • About KRVM
    • KRVM’s Unique History
    • Student Broadcast Program
    • KRVM’s Management
    • Job Opportunities
    • School Board Meetings
    • Diversity & Inclusion
    • About Contests on KRVM
    • Links
  • Contact KRVM
    • Submit a PSA
    • Reception Issues
    • Contact KRVM
  • School Closings & Delays
Home » 2020

Lots to love about Oregon’s music scene

January 29, 2021 by Cynthia Orlando

Oregon is renowned for its forests, fisheries, microbreweries, and natural tourist attractions like Mount Hood, Crater Lake and Mount Bachelor.

However, one of our best-kept secrets just might be our talented bands and musicians.

While the likes of Modest Mouse, The Shins and Blind Pilot are well-known in the music world, there are lots of other excellent bands that hail from the Beaver state.

Here are a just few additional Oregon-based bands and artists who merit a listen.

Pete Kartsounes

We’ll start with one of Oregon’s least-known, most talented musicians, Pete Kartsounes.

Based in Bend, Kartsounes is an award-winning singer-songwriter, impressive flat picker and cutting-edge musician’s musician. 

Kartsounes started playing piano “as soon as I was able to climb up on the bench,” and has played guitar since he was seventeen. “I’ve been playing for a living ever since, and playing my music has taken me around the world,” says Kartsounes.

His musical influences include Jerry Garcia, Ray LaMontagne and Carlos Nakai.

He released “Out Here On My Own” last August. Don’t miss standout tracks “Air to Breathe,” and “The River.”   

Looking back at his inspiration for “Air to Breathe,” Kartsounes says: “It had rained recently so the wood was damp. Every time I got a fire going, it would die down and I would have to blow on it…after doing this three or four times, it hit me: ”You can’t have a fire without a little air to breathe.”

While along the spring-fed Fall River, between Sunriver and La Pine, Oregon, Kartsounes wrote “The River,” another great track.

“I wanted to write something that was a tribute to the river. The river really brings you to the moment, and this song came to me in about an hour,” he says, adding, “I will always play this one at my shows, and give tribute to the rivers.” 

Then, just last November, the prolific artist released “Mindful Muse” – 60 minutes of music designed for yoga, meditation, massage and mindful practice. “It’s the first album I’ve ever recorded where I am playing dominantly piano and flute,” he says, adding, “this will most definitely not be my last album in this genre.”

No stranger to life on the road, Kartsounes has played for more than two decades on stages around the world.

Let’s hope he comes to Eugene soon. 

You can find his music on his website , and on iTunes.

The Noted

Ace band The Noted, above, are based in Portland.

Based in Portland are rising stars The Noted.

Founded by songwriter Daniel Work, they released “Lost & Found” last year. The band’s clean sound has a cool, appealing retro vibe. It’s solid pop-rock that encompasses a breadth of musical styles.

“Lost & Found” is very much a “band” record – no studio musicians or outside guests. All songs are inspired by real life events, like “Too Many Trees,” their musically upbeat plea for less gun violence. 

Buoyed by a pervasive sense of optimism, The Noted encourages listeners to “be yourself, don’t care what others think…and sing out loud!”

Mr. Work even built a new recording studio several years back, allowing the band more creative freedom. New tracks currently in progress are “Time, Time to Run,” “A Story,” and “The Lucky Ones,” a rocker about 2020.

Find music from The Noted on their website , on iTunes and on Bandcamp.

Souvenir Driver

Moody bliss-pop Souvenir Driver are another absolutely ace Portland Indie band. 

Like many of the best bands today, Souvenir Driver began as a solo bedroom project. And, while the band can be elusive, their music is well-worth searching out.

Their stunning 2017 “Brace Yourself” – about the band’s reaction to Trump’s election – is outstanding. Mixed by Gregg Williams (Dandy Warhols, Blitzen Trapper), “Brace Yourself” remains an Indie classic, and is a personal favorite.  

The band released their compelling “A Dangerous Crossing” in 2019, and a remix its atmospheric “Haze,” the same year. Remix artist Jonathan Allen is quoted as saying he was listening to The Cure “and thinking of our withdrawal from the Paris Climate Accord” at the time he worked on it.

Equally compelling, don’t miss fabulous “Voices of a Traveler” from their self-titled CD, recorded in a mountain cabin and at Trench Studios.

Great stuff!

You can find music from Souvenir Driver on Bandcamp.

Coordination

Also based in Portland is Coordination. This band is a bit of a mystery, but hey! Sometimes, mysteries are fun.

Coordination was founded by Portland musician Anthony Brisson.

Their new “The Great Adventure,” released last year, is splendid pop-rock. Guest performers and collaborators include: Eddie Bond (synthesizer & piano), Lisa Schonberg (drums, percussion, synth bass), Cam Mazzia (bass guitar), Amenta Abioto (vocals), Zachary Blake Nelson (slide guitar) and Robert Murphy, violin.

Coordination’s new release is atmospheric rock n’ roll. Fans of fresh-sounding shoegaze, lo-fi and synthwave are sure to love tracks like “Conor Stays Up Late”.

You can find music from Anthony Brisson and Coordination on Bandcamp .

The Muddy Souls

Eugene’s Muddy Souls, above, are a fine blend folk, country and bluegrass.

Eugene’s The Muddy Souls are an acoustic blend of folk, bluegrass, and country, and are sure to get you smiling and stomping your feet.

Band members are: Peter Romanelli, guitar and vocals, Grace Honeywell, fiddle and vocals, Mila Butler-Bass, vocals, Jacob Camara, banjo, guitar, vocals, and Austen Slone, mandolin, vocals.

They released their new album “Medicine” just last year. The new album confirms the band’s gift for delivering an upbeat, original sound.

Look for their music on iTunes or on their website.

Parting thoughts

Of course, no story about Oregon’s music scene would be complete without mentioning Portland’s ever-popular Blitzen Trapper.

Their newest “Holy Smokes, Future Jokes” is superb.

And extremely talented songstress Laura Veirs , also based in Portland, released her gorgeous new “My Echo” just last year. It’s a stellar sound that should make any Oregonian proud.

If you have a chance to catch either of these acts live…don’t miss out!

Support local musicians 

That’s a wrap!

Thanks for listening to KRVM, and supporting listener-powered radio!

Filed Under: Local Artists, Music Scene, New Music Tagged With: 2020, 2021, Bandcamp, Blitzen Trapper, Coordination, Laura Veirs, Muddy Souls, Music, Pete Kartsounes, Portland, Souvenir Driver, The Noted

A prolific year for music

December 9, 2020 by Cynthia Orlando

2020 dished out more disappointment and misfortune than any year we’ve ever experienced or witnessed.

But hey, instead of taking stock of its countless calamities, let’s give thanks for the one good thing it gave us: a great music scene. Every month, there were at least half a dozen new albums to give thanks for.

Here are ten first-rate albums that got us through 2020 and are sure to keep us humming well into the New Year.

Tame Impala – “The Slow Rush”

This year Tame Impala, aka creative genius Kevin Parker, dazzled music critics and wowed fans.

“The Slow Rush,” released in February, held up well over the course of the year, never losing its allure. Parker’s keen ear for diverse sonic accents and his unique blend of psychedelic pop is second-to-none. Instrumentation by Parker, a creative perfectionist, was bold and euphoric. The album also gets high marks for its rich, soothing vibe, dreamy vocals, and lovely synth textures.

Brilliant tracks like “Borderline” “Lost in Yesterday” and “Is it True” put “Slow Rush” on the fast track for long-term acclaim.

Sarah Jarosz – “World on the Ground”

Three-time Grammy winner Sarah Jarosz was once described as “a songwriter of uncommon wisdom” by the Austin Chronicle. It’s still a fitting description. In the midst of a frantic year, the bluegrass prodigy gifted us with soothing musical balm via ten tracks of her perfectly honed Americana.

“World on the Ground” is Jarosz’s fifth studio album. It imparts a compelling, grounded beauty enhanced by her graceful touches. Beautifully arranged, rock-tinged “Johnny” is on KRVM’s playlist.

From lovely and melodious “Eve” to poignant “Hometown,” “World on the Ground” triumphs.

Fleet Foxes – “Shore”

Much to the delight of fans, Seattle’s favorite Indie-folk rockers dropped “Shore” in September. A musically venturesome album, among its fifteen tracks are the eloquent “Sunblind” and riveting “Wading in Waist-High Water.”

Powerfully evocative “Featherweight” is stunning. Fans also love the melodic, sonically rich “Can I Believe You,” currently on KRVM’s playlist.

Talented frontman and lead singer Robin Pecknold wrote these songs as a way of coping with the year of COVID, and helping others cope, too. The gorgeous, comforting vibe of “Shore” will endure long after the pandemic has ended.

John Legend “Bigger Love”

In mid-May, gifted superstar John Legend released “Bigger Love.” It was an expansive album for Legend, who called it his “sexiest album to date,“ and a big hit with fans. Brimming with inspirational R&B tracks and romantic ballads, “Bigger Love” elevates, inspires, soothes.

Legend also stated he hoped the album would bring joy, and be uplifting in light of the George Floyd protests that took place during the album’s release.

He performed powerful piano ballad “Never Break” at this year’s Billboard Music awards, and dedicated it to his wife Chrissy Teigen. Its heartfelt vocals seem ready-made for a movie soundtrack.

Fabulous title track “Bigger Love” is soulful pop with Afro-Caribbean rhythms. Watch also for Legend’s rock ’n roll flavored “Wild,” featuring Gary Clark Jr.’s sizzling guitar solo.

Taylor Swift – “Folklore”

In a year as challenging and disappointing as 2020, one might expect music fans to reach for uplifting pop or raucous rock. But sometimes, an album built around loss, memories, storytelling, and reflection soothes best.

This partly explains the stunning success of “Folklore,” where Taylor Swift downshifted from pop to an alt-indie singer-songwriter vibe. In isolation, Swift worked remotely with The National’s Aaron Dessner. In four months and without any publicity, she created an album that spent 8 weeks at number one, and moved more units than any other in 2020.

Especially popular: mournful duo “exile,” nostalgic “seven,” exuberant “Last Great American Dynasty” and golden “August.” In a category all its own was the gut-wrenching “epiphany,” which drew parallels between wartime heroes and doctors and nurses on the COVID frontlines.

“Folklore” is my pick for Album of the Year.

Bob Dylan – “Rough and Rowdy Ways”

Bob Dylan’s “Rough and Rowdy Ways” covered it all: pop culture, mythology, mortality, and passing the point of no return. In other words, plenty to ponder in a year of lockdown.

There’s the 17-minute “Murder Most Foul” (song title from Hamlet), a stunning reflection on the assassination of John F. Kennedy. The sheer beauty of “I Contain Multitudes” is timeless. Bluesy “Goodbye Jimmy Reed” imparts a party-on, Rainy Day Women swagger. You’ll want to blast the volume for Dylan’s 7-minute, swashbuckling “I Crossed the Rubicon.”

A veritable treasure trove, “Rough and Rowdy Ways” is quintessential Dylan, and an instant classic.

The Big Moon – “Walking Like We Do”

London Indie-Rockers The Big Moon scored mightily with this year’s “Walking Like We Do.” From the lush opening chords of “It’s Easy Then” to its humorous closing track, the new album never fell short.

“Walking” affirms The Big Moon’s keen instinct for lovely melodies that righteously rock. Album highlights: “Why” is effervescent pop, while danceable “Your Light” and deliciously thunderous “Holy Roller” are destined for concert halls. “Don’t Think” delivers a dark, edgy vibe via ace bass guitar and compelling vocals. Upbeat “Waves” gleefully narrates the end of a romance. Vocals by lead singer Juliette Jackson are exceptional throughout.

The Big Moon could easily bring down the roof at any of Eugene’s music venues. Here’s hoping, someday, they do.

Fiona Apple – “Fetch the Bolt Cutters”

Fiona Apple released gobsmacking “Fetch the Bolt Cutters” to widespread commendation in April.

It was her first release in 8 Years, and was worth the wait.

Exploring themes of sisterhood, resilience, and freedom, “Bolt Cutters” was recorded at Apple’s Venice Beach home. Here, she and a small backing band – David Garza on guitar, Sebastian Steinberg, bass, and Amy Aileen Wood, drums – sound amazing, intimate and vibrant.

On tracks like “Relay,” songwriting is in a league all its own. Sample lyrics: “Evil is a relay sport / When the one who’s burnt / Turns to pass the torch.”

Further underscoring her artistry are emphatic “Under the Table,” sparkling “Shameika,” the lovely, liberating title track, and explosive “On I Go.” As much about self-disclosure as it is about self-respect, “Fetch the Bolt Cutters” is well-deserving of the widespread acclaim it generated this year. Apple’s compelling use of percussion imparts a cathartic vibe to every track.

Blitzen Trapper – “Holy Smokes, Future Jokes”

Blitzen Trapper’s “Holy Smokes, Future Jokes” bestowed 2020 with ten perfect tracks characterized by mystical themes, complex arrangements, and rich harmonies.

Multilayered folk-rock compositions like dreamy “Baptismal” were largely inspired by the book “Tibetan Book of the Dead.” Lead singer Eric Earley’s vocals are smooth, sincere, and engaging throughout. The pensive “Think Magically,” mysterious “Bardo’s Light,” and charming “Don’t Let Me Run” – now on KRVM’s playlist – were the perfect antidote for a frantic year.

Simply put, one of Portland’s best-loved bands delivered a “must-have.” Long may they reign.

Glass Animals – “Dreamland”

The newest release from England’s Glass Animals made a hefty splash in the world of music.

The band’s innovative psych-pop tracks boasted touches of synth and electronica, making for perfect radio airplay. Fans rhapsodized about the album’s shimmering, sunshine-y vibe.

On “Dreamland,” the band explores personal memories via multi-textured arrangements, hypnotic riffs, and thought-provoking lyrics. Music is embellished with sound snippets of old home movies, adding a nostalgic touch. Songs “Hot Sugar” and “Heat Waves” are dreamy and catchy. “Your Love (De’ja’ Vu)” and “Dreamland” are superb.

To sum up: over the course of a high anxiety, high stakes year, “Dreamland” offered a much-needed escape.

But wait – there’s more.

This year there were so many notable releases worth your time and wallet, we dare not stop here.

For those who appreciate a longer list, here are fifteen additional indie, rock, Americana, pop, and R&B albums you just might love!

The Strokes – “The New Abnormal”

Niall Horan – “Heartbreak Weather”

Andy Shauf – “Neon Skyline”

Bruce Springsteen – “Letter to You”

Lucinda Williams – “Good Souls Better Angels”

Doves – “The Universal Want”

Tennis – “Swimmer”

Waxahatchee – “Saint Cloud”

The Beths – “Jumprope Gazers”

Alicia Keys – “Alicia”

Bonny Light Horsemen – “Bonny Light Horsemen”

The Killers – “Imploding the Mirage”

Laura Veirs – “My Echo”

Watkins Family Hour – “Brother Sister”

Bombay Bicycle Club – “Everything Else Has Gone Wrong”

That’s a wrap!

It’s been a long year, music lovers, but we made it.

Thanks for listening to KRVM, and supporting listener-powered radio.

Filed Under: Music Scene, New Music Tagged With: 2020, Americana, Best of Year, Bigger Love, Blitzen Trapper, Bob Dylan, Dreamland, Fiona Apple, Fleet Foxes, folklore, Glass Animals, John Legend, KRVM, Music, Oregon, Rock, Rough & Rowdy Ways, Sarah Jarosz, Tame Impala, Taylor Swift, The Big Moon, Walking Like We Do, World on the Ground

What’s new in music? Here’s four for your collection.

November 5, 2020 by Cynthia Orlando

Are you a music fan seeking new tunes to help you coast through to the end of 2020? Here’s a few recommendations you’re bound to love.

Tom Petty – “Wildflowers & All the Rest”

The new 5-disc release includes a remastered version of Petty’s original (1994) “Wildflowers” album. Also incorporated is the 10-song second disc Petty wanted to include the first time ‘round (music execs had other ideas).

Unreleased songs – plus – live album tracks from over the years, are also included. New, previously unreleased tracks like “Confusion Wheel” and “Something Could Happen” are both quintessential Petty. Live tracks from the peak of his career include “You Wreck Me” and “It’s Good to Be King.”

“It was the last project that he was working on and we know for a fact that he really wanted it to be out,” says Petty’s daughter Adria in a recent interview with USA Today. “It’s been really a treasure hunt for us.”

Be on the lookout for tracks “Something Could Happen” and “Leave Virginia Alone” – “Virginia” is on KRVM’s playlist.

Summing it up, “Wildflowers & All the Rest” is a generous retrospective collection sure to lift hearts up for years to come.

Laura Veirs – “My Echo”

Don’t miss exceptional “My Echo” from Portland’s Laura Veirs.

This is the eleventh full studio release by the gifted singer-songwriter. “My Echo” is filled with gorgeous, insightful folk pop.  On the label Bella Union, it’s being well-received by both critics and fans.

The bright, catchy “Turquoise Walls” sees Veirs processing the end of her marriage to music producer Tucker Martine; much to her credit, the music never becomes moody, or overly morose.

Her remarkable “Brick Layer” is tender and pensive. Spritely, retrospective “Memaloose Island” is a celebration of life. Lastly, you’re bound to love colorful “Burn too Bright” – currently on KRVM’s playlist.

“My Echo” is firm confirmation of Veirs’ continued artistic abilities and her standing as one of Portland’s brightest stars.

Fleet Foxes – “Shore”

By now you’ve surely heard the many acclamations about Fleet Foxes stunning new release. The Seattle-based Indie-folk rockers dropped “Shore” in September to coincide with the autumnal equinox.

Musically venturesome “Shore” boasts fifteen appealing tracks including uplifting “Sunblind,” which pays homage to some of the band’s songwriting heroes. Fans are also loving melodic, sonically rich hit single “Can I Believe You.”

Beautiful, thoughtful and evocative “Featherweight” is another album standout. Lead singer Pecknold wrote these songs as a way of coping with the pandemic, and helping others to cope, too.

The gorgeous, comforting vibe of “Shore” will endure long after the pandemic is over, and may well earn the band a grammy nomination.

Blitzen Trapper – “Holy Smokes, Future Jokes’

Rich harmonies and complex melodies abound on this new album from one of Portland’s favorite bands. The new songs often bring another great Northwest band – The Shins – to mind. Hopefully, Blitzen Trapper won’t mind the comparison because this album is not-to-be-missed.

There isn’t a poorly written song or lackluster arrangement to be found anywhere on “Holy Smokes.” The album’s multilayered, multi-textured folk-rock compositions – like dreamy “Baptismal” – are elevating and lovely.

Especially noteworthy? The album title track, “Masonic Temple Microdose #1,” and “Hazy Morning.” Vocals from the band’s lead singer Eric Earley are sincere, engaging and smooth throughout.

The band’s mystical “Bardo’s Light,” pensive “Think Magically,” and lovely “Don’t Let Me Run” are all musical balm for a frantic year. “Don’t Let Me Run” is now on KRVM’s playlist.

Simply put, this new unique release from Portland-based Blitzen Trapper is a “must-have.”

 

That’s a wrap!

It’s been a long year, music lovers.

Thanks for listening to KRVM and supporting listener-powered radio!

Filed Under: Music Scene, New Music Tagged With: 2020, Blitzen Trapper, Fleet Foxes, KRVM, Laura Veirs, My Echo, New Music, Oregon, Tom Petty, Wildflowers

KRVM relies on support from listeners like you. Please consider becoming a donor today. Donate NOW!
Recently Played Songs on KRVM

All Playlists Here

See more recent songs, with links to buy them. KRVM gets a small portion from each purchase. It's an easy way to support us and build your music library.

Archive Recordings Available Again!

Did you miss a show this week? Want to listen again to a great playlist? Spinitron is now archiving our shows for two weeks after they were aired. Here's how to listen.

View Program Schedule

Printable Program Grid (PDF):

Support Our Underwriters

Capella Market

Territorial Vineyards & Wine Company

Eugene Gleemen

Ritta’s Burritos

Browse Programs by Genre

20's 30's 40's 50's 60's 70's 80's Acoustic Adult Album Alternative Americana Beatles Big Bands Bluegrass Blues Country Eclectic Rock Electric Blues Folk Funk Grateful Dead Guitar Rock Hard Rock Jam Band Jazz Latin Rock Live Recordings Motown Pop Progressive Rock Punk R & B Reggae Rock Singer/Songwriter Soul Swing Variety Women's Music World

Search This Website

Recent Posts

  • New music to watch for
  • March Membership Drive 2025
  • Music that soothes us
  • 2024: The Year in Music
  • KRVM Day is coming December 6!

Copyright © 2025 KRVM • 1574 Coburg Rd #237, Eugene, OR 97401 • Main Office: (541) 790-6686 • 1-800-285-2895 • Site by AUMW
FCC Public Inspection Files: KRVM AM & FM - KSYD - KAVE • KRVM FM/KSYD/KAVE and KRVM AM studio address: 2455 Willakenzie Road, Eugene, OR 97401

KRVM 91.9 FM Eugene | KAVE 88.5 FM Oakridge | KSYD 92.1 FM Reedsport | K211BP 90.1 FM Florence | Nondiscrimination